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Author Topic: Roy Lichtenstein  (Read 140 times)
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Athena
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« on: October 25, 2008, 01:13:24 PM »

I was just curious what opinions people here might have, since many of us (I guess all of us, to some extent) are interested in comic art.  If you don't know, Roy Lichtenstein was a major Pop artist big in the 60s and 70s whose works were heavily inspired by--- some say "lifted from"--- comic books. 

Here is a link to a page that shows some of original comic panels (on the left) compared with Lichtenstein's renditions (on the right):

http://davidbarsalou.homestead.com/LICHTENSTEINPROJECT.html

What do you think?  Do you think Lichtenstein was simply "copying" the comic book art, or does the art become a new creation wen it is lifted from the pages of the comic book and put by itself on a large canvas?  (Also notice that in many cases Lichtenstein made significant alterations from the original art.) 

I saw one of these ("Drowning Girl") at the MOMA recently, and I was really impressed by it.  If I'd seen the panel in the original comic book (highly unlikely anyway), I'd never look twice at it, but it takes on a new haunting meaning when it's isolated.

Also, has anyone ever seen any Archie panels that you think could serve as stand-alone art of this type?  I don't mean things like covers and pinups that originally were made to stand alone anyway, but panels out of stories that somehow take on a new meaning or beauty when they are removed from their context in the story.  Or do you think that taking  panel out of context destroys its integrity altogether, since that's not what the artist intended it for?  Just curious.

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« Reply #1 on: October 27, 2008, 01:49:13 PM »

I think there's something to be said both for, and against, the copied works. The points against will be first, since I'd like to end on a positive note.

Against - because they layout, characters, facial expressions, color choices, words, action lines, are nearly identical. When the hair or colors are different, it's usually just to simplify the artwork. All-in-all, it's a quick copy of something that might've taken a bit more time by the original artist. They seem much more rushed and sterile. Some detail is lost and expressions aren't as clear. Unfortunately, in some cases, it's as though he's tracing directly over the lines, and, in the example showing Wimpy (from Popeye), he's no longer recognizable.

For - The colors are much brighter, the text is trimmed down (in some) to words with the most impact, excess colors are removed so the picture is simplified and, in the case with some of the black and white pictures, the color being removed means there's no detraction from the picture itself. I think that he helps the panels(?) stand alone by removing the text from them as well...
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« Reply #2 on: October 27, 2008, 01:49:51 PM »

One more "For" - The blown up panels, made into stand-alone pieces, call more attention to the artistic aspect of comic books, so that's one huge bonus.
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