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    September 19, 2018, 10:15:05 am
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    September 18, 2018, 09:27:43 pm


Author Topic: Will Archie comics main comic book line will one day return to it's classic styl  (Read 1700 times)

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archiecomicscollector

Speaking of crossovers....I'd love to see CW's Supernatural crossover with Archie's Weird Mysteries, similar to their Scoobynatural episode earlier this year. I loved watching Archie's Weird Mysteries in the early 2000s.

DeCarlo Rules

Speaking of crossovers....I'd love to see CW's Supernatural crossover with Archie's Weird Mysteries, similar to their Scoobynatural episode earlier this year. I loved watching Archie's Weird Mysteries in the early 2000s.

I still say they need to do a crossover with the actual Scooby-Doo. I don't know if it would be a callback to Archie's Weird Mysteries (which did its own Scooby parody in one issue) because that was 18 years ago, and the TV series wasn't big enough to be that well-remembered by the wider public (as opposed to dyed-in-the-wool Archie fans), but that would be one of the most natural team-ups of all time.

The evolution of Scooby-Doo (the original Hanna-Barbera series) owes a lot to the success of Filmation's The Archie Show, with the basic H-B concept being that of a band (like the Archies) that would solve mysteries (like the Hardy Boys and Nancy Drew), and the addition of a dog to the cast was almost an accidental afterthought. Except that Mystery Incorporated wound up not being a band after all, just background music during the chase scenes. Then when H-B finally wound up licensing the rights to actual Archie Comics characters, they decided to turn Josie and her friends (or at least Melody) into a mystery-solving band -- but the people at H-B apparently didn't like Pepper and Albert, so they replaced them with Valerie and Alan M. (note the suspicious similarity between Alan and Scooby's Fred Jones). I think the thought behind featuring Hot Dog and Scooby in those shows at that time (1968-69) was that animation studios still weren't confident in relying on animated humans for comedy in a show, and with cartoon pets, they felt more comfortable and could skew them more towards the more traditional anthropomorphic animal antics -- thus, Scooby could talk and we could hear what Hot Dog was thinking, like any traditional cartoon animal character.

terrence12


I can't really see returning to classic style helping all that much. It wasn't selling which is why the reboots happened to begin with.


I think to most people, Archie Comics are an anachronism.  Not sure there's much they can do except continue the gimmicks like horror, the tv show, and crossovers (Batman '66) until they run out of ideas.

probably

I can't really see returning to classic style helping all that much. It wasn't selling which is why the reboots happened to begin with.I think to most people, Archie Comics are an anachronism.  Not sure there's much they can do except continue the gimmicks like horror, the tv show, and crossovers (Batman '66) until they run out of ideas.
That's pretty much the size of it, Vegan. I can see something like, once RIVERDALE has run its course, it getting an animated spinoff that's more comedy oriented, and then there being a floppy comic book based on that, but I think that's about as close as we'll get, apart from the occasional crossover miniseries or one-shot. The crossovers are all aimed at an older, nostalgic audience of comic book collectors, as proven by the properties chosen: Kiss, Predator, The Ramones, and Batman '66 (even Harley & Ivy, arguably most familiar to the audience that watched Batman the Animated Series in the early 1990s). Still hoping to see one with Scooby-Doo.The fact that ACP doesn't want to invest in more new pages of classic Archie stories to keep feeding the source material for ongoing digest reprints indicates that they don't see those digests having much longer of a future.


Well an animated spinoff would be nice so that it will be faithful to its source material roots that is comedy and yeah you have good point about why Archie comics doesn't feel like  investing the new pages of classic ones as they keep selling the digest reprints until they are no longer needed


I really think in pushing hard for television adaptations like Riverdale and Sabrina, Jon Goldwater's true goal is to raise Archie's cultural awareness just high enough to attract a big media conglomerate as a buyer for ACP.

I would imagine he's got something like a hundred-million figure in mind for the sale of all ACP's intellectual property, but I bet if he got a serious offer about a third of that size, he'd sign on the dotted line and bail out next month -- if Nancy Silberkleit is willing to take her cut and walk.

True and also I agree both Jon and NAncy are feuding with each other when they own archie comics and its properties


I really think in pushing hard for television adaptations like Riverdale and Sabrina, Jon Goldwater's true goal is to raise Archie's cultural awareness just high enough to attract a big media conglomerate as a buyer for ACP.

I would imagine he's got something like a hundred-million figure in mind for the sale of all ACP's intellectual property, but I bet if he got a serious offer about a third of that size, he'd sign on the dotted line and bail out next month -- if Nancy Silberkleit is willing to take her cut and walk.



Nancy might just block it for spite depending on her financial condition.


This is all just my subjective impressions, but the general vibe I got from Nancy is that she wanted to keep Archie in the traditional mode, for the traditional audience (pre-teens and young kids, girls especially), whereas the impression I get from JG is that he doesn't give a fig about comics as a medium, the characters, OR the audience -- he just wants to make money. If the newsstand market is evaporating, he's probably correct in the assessment that ACP can only try to cater to the smaller (but fairly stable and dedicated) audience of comic shop consumers if he wants to continue in publishing. Not that he actually "wants" to continue as a publisher per se, just that he wants to build a small heap of material suitable to attract the attentions of media adaptations, which is hopefully raising the coin of ACP's intellectual property holdings to the extent that some corporation might see some potential in owning those characters as exploitable, marketable, pre-sold audience material. He's just looking to cash out and retire in ease. On the other hand, Nancy Silberkleit has demonstrated in the past that she does care about some things, at least -- kids with disabilities, literacy, and so forth, and wants to use the characters' familiarity to help those causes. That's my read on the situation, anyway.

Not that I'm implying that makes Jonboy G out to be something like the Antichrist of the comic book industry or anything. In my opinion, it just makes him... well, pretty much the same as any of the folks making the business management decisions at Marvel or DC, or... most comic book publishers, medium-sized or even small. Like any other line of work, there are people who are in the comic book business because they love the work and can't imagine doing anything else, and people... who are not. Hey, the way I look at it, most people think about a lot of the same things in their jobs. "I'd like to keep my job. I'd like to make my boss happy, and not have him breathing down my neck. I'd like to get a promotion and do less of the grunt work, have more responsibility. I'd like to make more money so I don't have to worry about current bills, or my future. I've worked long enough; I'd like to retire now comfortably and just relax for a while." Had I entered the biz via the same route JG did, I can't say with any assurance that I'd do things any differently than he is. My only real gripe with the guy is both an aesthetic and practical one -- that he's putting out fewer and fewer pages of new material of the kind of Archie Comics I enjoy reading. And I guess I can't even really be an objective judge of whether or not someone "loves comics" or doesn't, because they might just have polar opposite tastes in what's good than I do -- just like anyone involved in any aspect, not only of the comic book industry, but ANY media that employs characters originating in comics. I can absolutely love something like Cartoon Network's JUSTICE LEAGUE ACTION cartoon, while looking at the trailer for Warner Brothers' JUSTICE LEAGUE movie with a blank-faced "What the what?" and shrugging, "Doesn't have anything to do with me; sorry, no interest." I can love the idea of ARCHIE MEETS BATMAN '66, or the DC characters appearing in SCOOBY-DOO TEAM-UP, while not giving two beans about what's going on in the regular ongoing DC universe BATMAN or SUPERMAN comic books. Same with Archie comic books; same with RIVERDALE. There will always be something else to read (or watch), I guess, whether new or old.

You might have a good point ,I mean I understand Nancy wants to follow Archie in its traditional method but Jon thought that the company will move towards the mass market which works and I guess it is to show both owners have different views on what to do for their company





 


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