News:

Welcome! Please pardon the dust as we work to set the site up again :)

Main Menu
Menu

Show posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.

Show posts Menu

Messages - irishmoxie

#76
Quote from: DeCarlo Rules on April 20, 2017, 04:47:32 AM
Quote from: irishmoxie on April 19, 2017, 05:05:53 PM
I hope non superhero stories keep getting published. I think there are a lot of girls out there who are hungry for slice of life type comics or even Image/Saga type stories. I've tried reading superhero stories but none have hooked me yet. I'll read DC Super girls or whatever it's called if it's free but it's not the first thing I reach for or look forward to each month. I like that there's a variety of stories in comics nowadays. To reach girls, EMET has been doing well with posting webcomics on Tumblr. EMET has also had a few successful Kickstarters.

What I'm trying to get at is that there's an inescapable tyranny of numbers in effect when it comes to the ordering of titles by comics retailers, because once ordered and paid for (before he resells those comics to his retail customers), the comics a retailer orders belong to him -- he's stuck with them if he can't sell them. There are hundreds of titles in every monthly order catalog from Diamond Comics Distribution, so most retailers (unless they have a large chain of stores, or one very large store located in a major metropolitan area) can't afford to order even ONE copy of each and every title offered. Variety is a good thing for a store, but there are realistic limits to that variety based on the retailer's financial resources (he pays for all his comics before he's even sold a single one), so his ordering patterns are dictated by an informed knowledge of his customer base's buying patterns, and some speculation on his part. For the most part, he's got to be careful and not take too many risks that might cause him to wind up with a lot of unsold comics at the end of the week or month, because the more time that goes by, the less likely he is to sell those comics.

This is where the domination of the superhero genre is coming into play, because that's a large part of what's informing his ordering decisions. He knows he can sell certain titles, and other titles/publishers/genres are much more of a gamble, so he's got to be somewhat conservative, or he may wind up out of business. He just can't afford to have a lot of slow-moving (or totally unsellable) stock in his store, and he's got to service his most regular and biggest-spending customers first, and worry about the people who might buy only a few titles or genres that are less popular afterwards. If, at the end of any given month, a retailer adds up all of his bills spent for new product from Diamond Comics, and compares that figure against all the money taken in at the register that month, and checks his inventory to see what product he was invoiced for that month that remains unsold, then the money he spent on purchasing those unsold comics has to be subtracted from whatever profit he made on the comics he was invoiced for that month that he DID sell. But of course the remainder doesn't equal the profit he actually made that month until he then subtracts his overhead costs for employees, monthly rent or mortgage, utilities like heat/air conditioning and electricity, phone and internet bills, etc.

Kickstarters and webcomics are fine, but that only relates to print comic books that your retailer orders far down the line (if at all).


Makes me miss my comic book shop in Missouri which was run by a female. It had all the superhero stuff but also girlie, animal, and tons of kids comics. She actually made most of her money from selling figurines. And had tons of leftover Archie variants (guess she made the wrong bet on those) that she always tried to sell me. I discovered EMET comics there before seeing it on social media.


Female comics will probably never be the mainstay in comic shops and that's fine. I only hope to see more of these comics in places where girls like to be i.e. bookstores like Barnes and Noble, Kindle, tumblr, etc. Hopefully they will start generating more of a profit.
#77
I hope non superhero stories keep getting published. I think there are a lot of girls out there who are hungry for slice of life type comics or even Image/Saga type stories. I've tried reading superhero stories but none have hooked me yet. I'll read DC Super girls or whatever it's called if it's free but it's not the first thing I reach for or look forward to each month. I like that there's a variety of stories in comics nowadays. To reach girls, EMET has been doing well with posting webcomics on Tumblr. EMET has also had a few successful Kickstarters.
#78
General Discussion / Re: What have you done today?
April 14, 2017, 11:10:10 PM
Quote from: DeCarlo Rules on April 14, 2017, 01:24:06 AM
My mom (87) had to go back into the hospital yesterday morning (released Wednesday PM after hip replacement surgery) for diverticulitis and colitis. May have been present earlier but exacerbated by the medication and surgery. Hoping it's nothing serious. She should have been in recovery at home this week and next.

Also, my LCS sold his building and I was helping him clear out (deadline Tuesday 2 PM). Sale was closed (finally settled by arbitration), but due to the buyer dragging his feet on a sales agreement that should have been finalized by first week in January, it was over 3 months before he could get a check that would allow him to sign a purchase agreement for a new location. That puts him 'in-between' actual brick & mortar retail stores until he can get re-situated. He's got an offer pending on one building and was looking at a different location on Thursday.


Sorry to hear about your mom DeCarlo Rules. Hopefully she does well with just IV antibiotics and doesn't require further surgery/drain placement.


Did your LCS have a close out sale? Sounds like he will be getting a new location though.
#79
General Discussion / Re: What have you done today?
April 13, 2017, 08:29:57 PM
Quote from: VintageJon on April 13, 2017, 10:33:20 AM
Apparently I missed a lot in the last few days! 


I got up at 5, walked my dogs and stopped at the grocery store for snacks for a work party.  Locksmith at lunch for a new key to my patio door, then over the border after work.  We have a 4-day weekend here, so I am looking forward to that.


Happy Easter!


Hoping to go to an Easter egg hunt for dogs/charity walk this Saturday.
#80
General Discussion / Re: What have you done today?
April 13, 2017, 08:26:41 PM
Quote from: JonInIowaCity on April 13, 2017, 08:00:57 AM
Alright. I'll drop it.


Btw, I walked my dog this morning.


I prefer walking my dogs at night around 8-9 pm. Nice and cool then.
#81
Michael Recycle #1
#82
Quote from: Purgatori on April 13, 2017, 02:09:35 AM
Latest issues of:
    Lazarus
    Lumberjanes
    Moon Girl and Devil Dinosaur


Yay another Lumberjanes fan!
#83
Catching up on Archie...


Surprised at how much I liked the Little Archie one shot considering I always skip those in the digests. Loved the Sabrina's magic aspect of it. The art had tons of movement like it was from a cartoon. Plus it was funny...brought the comical back to Archie comics. Really looking forward to Little Josie and Little Sabrina now.
#84
General Discussion / Re: What have you done today?
April 12, 2017, 11:10:27 PM
I still don't understand how Archie Comics, something so inoffensive and banal (at least the classic ones), can inspire such vitriol in people. It boggles my mind.


I think people like Alexandra/Ronnie come on the forums to feel good about themselves because they think they can one up these innocent Archie Comics fans. They believe most Archie fans are stupid because the comics are so simplistic. 


There is enough negativity in this world. I come here to relax and have fun. Why not talk about other hobbies/interests you enjoy if there's nothing going on in the Archie-verse? There are enough places on the internet i.e. Reddit, the YouTube comments section were these negative types can go play word games with each other.
#85
Quote from: JonInIowaCity on April 12, 2017, 09:23:40 PM
I found an old copy of "Uncle Tom's Cabin" at my parents' home this weekend. It belonged to my dad when he was a young boy back in the 50s. It occurred to me that I've never read it and decided to check it out. I'll start reading it later tonight or tomorrow.


Very cool. I still have my grandfather's anatomy textbook from the 1940's. He never got to go to med school because he didn't have the money and got into the advertising business instead. I keep it as inspiration.
#86
The reason Marvel isn't successful with race and sex changing is because they keep the same old storylines (targeted at male readers) but have a female protagonist and sometimes cute art which attracts the female readers. It's incongruous. If they want to attract women to read their comics they need more slice of life, humor, romance, and school life.
#87
Quote from: 60sBettyandReggie on March 29, 2017, 02:23:42 PM
I finished reading Uncle Scrooge and Donald Duck Treasure Under Glass
and some Archie's Girls Betty and Veronica (#130-134)


Where did you find the Archie's Girls?
#88
Quote from: DeCarlo Rules on March 19, 2017, 06:24:50 AM
Quote from: steveinthecity on March 19, 2017, 05:33:10 AM
On or around March 30, 2015 I reached out to several members who used to be active on the boards, but had as of the time disappeared.  I heard from a couple folks that they wouldn't come back, but Zach and Captain Hero did return within a day or two.  I Believe Zach owns every Jughead comic, and of course we know Captain Hero has all but less than a half dozen of the published digests.  Zach posted for years before you joined.  I'm still befuddled why his Shoutbox post was received in such a negative manner, particularly now that I realize it was April 1st.  Anyways, water under the bridge I guess, but there's still an element of "institutional knowledge" that should be considered.


If Forsythe, Frank, or Gregg where to return with an irrelevant post, how should/would they be treated by current members?


Not trying to stir a pot, just trying to support members who contributed valueable content in the past.  When a known troll and multiple shills run wild here, but Zach gets slammed I get rankled. 




Edit: B-ko/Biollante/Ghidra (etc.) is a woman.  A clever, capable, innovative and thoughtful writer regardless how "she" comes across on this board.  We don't always agree, but I respect her efforts and passion. She enjoys classic Archie and has photoshopped some fantastic covers, making them even funnier.

It wasn't received in a negative manner. At first. It was received in a confused manner, as in "What are you trying to say about Archie? How does this relate?" -- because new members come here hoping to learn something about Archie Comics, or at least what other people's opinions of them are. The answer turned out to be "nothing" -- and nothing about anything else either.

I don't believe it should be incumbent upon any new members to spend hours reading through old posts to try to form some contextual-frame-of-reference opinion about some past member's relative contributions before responding to them. People who haven't posted in a long time are strangers to anyone who joined since they were active. Should they get special treatment? No, they should be treated just like everyone else. That was my blind introduction to Zach Ziggster. My confusion over the linked video notwithstanding, had B-ko not jumped in there and started stirring the pot by slinging insults, I think it would have passed without much to-do.

I'm not going to apologize for disliking B-ko. I believe she's rude and obnoxious in her exchanges with people, and nothing you can tell me is going to change my opinion of what I read in her posts before blocking them. You only get to make a first impression once, but later impressions only reinforced my initial one. Some people simply seek antagonism on the internet and it seems like they live for it -- B-ko is one of those.


Pretty sure Alexandra Cabot is b-ko.
#89
Reviews / Re: Some reviews.
March 16, 2017, 10:07:31 AM
Quote from: DeCarlo Rules on March 16, 2017, 03:52:53 AM
PATSY WALKER AKA HELLCAT #16 (of 17) - The penultimate issue of the series. Can't say I'm too surprised, as I knew it wasn't selling that great. This seems to be the general pattern for most Marvel series that I like - they last for somewhere between 12 and 18 issues before ending. Recent examples that come to mind include FF (2nd series, 16 issues, 2013-2014), SHE-HULK (12 issues, 2014-15), ANT-MAN (19 issues over two series bridged by a one-shot, 2015-2016), HOWARD THE DUCK (5 + 11 issues over 2 series, 2015-16), and SQUADRON SUPREME (15 issues, 2016-17). The only Marvel title that I really like that seems to have escaped the chopping block (so far, anyway) is SILVER SURFER (15 + 9 issues over 2 series, 2014-2017).

Too bad about PATSY WALKER, because #16 was possibly my favorite issue of the entire series so far. There's basically no action here, and nobody punched anyone (or anything), with Patsy only wearing the Hellcat costume on 2 pages (plus one more panel) of the story. The entire issue is conversation, but what I liked about it is that Patsy had a conversation with her erstwhile frenemy Hedy Wolfe (who up to this point in the series had been portrayed more like a typical soap-opera scheming, manipulative villainess) and made a sort of peace with her. At this point I realized that this was just what the series had been lacking. I was halfway through reading the story, hoping that maybe this was a change of direction in the series to hopefully see if they could find some new readers, but alas the letters page revealed that it was not to be. Apparently it had been hovering at the cancellation point for a few issues, but the editor at Marvel allowed the creative team to wrap the current storyline up as they had intended, rather than force them to write some kind of hurried ending a few issues previous. Ah well.

I'd still like to see someone take a stab at a PATSY & HEDY series again someday. They were essentially Atlas/Marvel's answer to B&V for 15 years and 110 issues (1952-1967), although their relationship was more like that between Archie and Reggie than B&V's. Incidentally, Al Hartley was the main artist on that title for most of its lifespan (in addition to being the main artist on the PATSY WALKER solo title). Al Jaffee (now mainly remembered for his work on MAD Magazine) drew the earliest issues of the title, and in the beginning the stories were mostly humorous. Patsy had actually been created all the way back in 1944, as a feature appearing in MISS AMERICA, by well-known comic book scribe Otto Binder (famous for his work on Fawcett's CAPTAIN MARVEL in the 1940s and 1950s, and later, as the writer of many of the SUPERMAN family titles under editor Mort Weisinger in the early Silver Age), together with artist Ruth Atkinson, and received her own title in 1945, which ran for 20 years, ending in 1965 - but PATSY AND HEDY continued for over a year longer, attesting to the greater popularity of the two girls as rivals. Like KATY KEENE, the title often featured fashion pages with designs submitted by readers, or paper dolls to cut-out-&-paste on cardboard. Also like B&V, Patsy & Hedy started out as high school girls, but in issue #95 (Aug. 1964), they actually graduated, and subsequent issues of P&H were subtitled "Career Girls". This more or less coincided with a general shift away from humor towards soap-opera/romance plots, in post-1962 issues. From 1963 through mid-1967, all of Marvel's 'girl titles' - MILLIE THE MODEL, MODELING WITH MILLIE, PATSY WALKER, and PATSY AND HEDY, would probably best be classified as "romance" titles, although they had all started out as "girl humor" titles, and remained so for a decade or more. A somewhat typical issue of the later run of P&H was #104, which is strikingly similar to the 2006 New Look B&V story "Bad Boy Trouble" with Patsy and Hedy both being attracted to a Marlon Brando-type 'Wild One' eerily prescient of Nick St. Clair.

It's interesting to note that of all the titles Timely/Atlas/Marvel published from the 1940s through the 1960s, Patsy Walker and Millie the Model were the only two characters who had their own titles in continuous publication from the Golden Age right through to the Silver Age of comics, a time spanning tumultuous changes in the entire comics industry. That makes them part of a very select group of comic book characters who can claim likewise. At DC, there were Superman, Batman, and Wonder Woman, as well as The Fox and the Crow and Leave It To Binky. At ACP, Archie, Wilbur, Katy Keene, and Jughead (who barely qualifies, his own title having squeaked in just barely in 1949). At Dell/Western Publishing, Donald Duck, Mickey Mouse, Popeye, and Tarzan.

The other thing noteworthy about the 1963-1967 period in which all the girl humor titles converted to soap operas is that this was a time period in which audiences were changing and genres were in transition. The continued story which would soon become one of the hallmarks of Marvel Comics was not yet fixed, and the girl titles didn't have continuing stories. It wasn't even standard procedure for the superhero titles in this early stage of the resurgence of the superhero comics, and even the idea of a 'romance' title with continuing characters hadn't really existed up to this point in time. The emotional angst of romance comics was to make a significant impact on Marvel's Silver Age comics though, in the romantic relationships of many (if not most) of Marvel's superhero characters. Maintaining his secret identity as Spider-Man caused Peter Parker to have relationship problems with girls, keeping them at arm's length. An early potential love interest, Betty Brant, J. Jonah Jameson's secretary at the Daily Bugle, where Parker sold news photos of himself in action as Spider-Man, had a romantic interest in Peter that was reciprocal, but maintaining his secret life as Spider-Man always kept them apart - he could never explain his odd disappearances, or occasional injuries in battles with supervillains. A rival for Peter in the form of Bugle reporter Ned Leeds also had romantic feelings for Betty. Blind attorney Matt Murdock had a similar romantic interest in his legal secretary, Karen Page, and she in him, but both his blindness and his secret identity as Daredevil kept the two from ever developing a real relationship. In order to teach him humility, Odin, leader of the Norse Gods of Asgard, had punished his son Thor's hubris in ancient times by means of an enchantment which kept him trapped in the body of a lame mortal physician, Dr. Donald Blake. Blake loved his nurse, Jane Foster, but Odin disapproved of his choice of a mortal woman as a mate, and Blake felt his physical infirmity while in his mortal guise made him somehow unworthy of Jane's love, while Jane was falling in love with Blake's Asgardian alter-ego, Thor. Dr. Bruce Banner, a nuclear physicist who was exposed to gamma radiation, causing him to turn into the raging, superstrong Incredible Hulk whenever he felt nervous stress or anxiety, loved Betty Ross, the daughter of Army General "Thunderbolt" Ross, whose avowed mission was to destroy the green behemoth, and he disdained Banner as a weak milksop and an egghead, while Banner was afraid that turning into the Hulk might expose Betty to danger. To make matters even further complicated, Captain Glenn Talbot, a handsome, athletic and brave military man working under General Ross's command, also hated the Hulk, and competed with Banner for Betty's affection. These continuing soap opera elements grafted by Stan Lee onto superhero stories from romance comics stamped the Silver Age Marvel comics as different from the kind of straight, uncomplicated hero vs. villain stories in comic books that had come before, and were one of the key ingredients in their rise to popularity over DC Comics from the beginning to the end of the 1960s. Even though romance comics as a genre were already beginning to die out in the 1960s, the sticky emotional situations, misunderstandings, and rivalries and secrets that had given that genre its popularity to begin with lived on in the new Marvel superhero comics -- but there would be no resolution to these romantic crises, as the romantic subplots continued like daytime dramas from issue to issue. One can't help but wonder what might have happened if Patsy Walker and Millie the Model had also developed continuing dramas with supporting characters always at emotional odds with each other, like a true soap opera. That genre had been well-established since the days of radio dramas in the 1940s.

The last couple of issues of PATSY AND HEDY, cover-dated Dec. 1966 and Feb. 1967, were subtitled "Gals on the GO-GO!" and tried to tap into some Tiger Beat-style teen-mag hybrid fascination with celebrity teen pop, something that DC Comics was also doing at the time in a couple of their romance titles. Neither PATSY AND HEDY nor PATSY WALKER's solo title lasted long enough to catch the late-1968 trend at most major publishers to do teen-humor Archie Comics-style, in the wake of THE ARCHIE SHOW's debut in September 1968 to great television ratings. Marvel, always one to keep a watchful eye on what was selling for their competitors, was actually ahead of the trend, converting MILLIE THE MODEL to THE NEW MILLIE THE MODEL with issue #154, cover-dated Oct. '67, and later adding a new title starring MILLIE'S RIVAL CHILI (May '69), while DC followed suit in '68 by converting some of its older teen titles like LEAVE IT TO BINKY/BINKY'S BUDDIES and SWING WITH SCOOTER to this style, and later adding DATE WITH DEBBI/DEBBI'S DATES. Both companies featured the cartooning of Stan Goldberg on titles, while DC also included future ACP talents Henry Scarpelli, Doug Crane, and the prodigal Samm Schwartz, before he returned to ACP.




I looked at the cover of this and thought it looked like a story I would like. I'm going to give it a try after ditching the series after issue 4 or so.
#90
Quote from: DeCarlo Rules on March 16, 2017, 03:45:42 AM
DARK HORSE PRESENTS #32
WONDER WOMAN 77 BIONIC WOMAN #3 (of 6)
BATWOMAN #1                           
VAMPIRELLA #1                       
THE WILD STORM #2                         
CAVE CARSON HAS A CYBERNETIC EYE #6 
GREAT LAKES AVENGERS #6
BETTY & VERONICA COMICS ANNUAL #252 - The Dan Parent fairy tales continue with "Thumbelonica". Loving it!


Really liked the Hansel and Gretal story from Archie's Funhouse.