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What comics have you been reading? by DeCarlo Rules
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What are you currently watching? by BettyReggie
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Latest Hauls, what did you buy? by BettyReggie
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Messages - DeCarlo Rules

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1
General Discussion / Re: What comics have you been reading?
« on: January 11, 2019, 04:25:59 pm »
DC Beach Blanket Bad Guys Summer Special 1, Holiday Special 2017 1, House of Horror 1, Nuclear Winter Special 1 - These 80 page giants are a lot more expensive than the ones from the 1960s.  Overall, pretty decent collections of short stories.
These things always strike me as the 'Chinese food' of comic books. As in, when next Wednesday rolls around, you won't remember a thing you read in them. I liked the Swamp Thing Winter Special, though. There was also a Walmart exclusive one-shot Swamp Thing Special, which was a good mix of classic reprints with a couple of new stories for (IIRC) $6.

Deadman 1-6 - I enjoyed this series, but I think Neal Adams is better as an artist than as a writer.
But it could still be argued that THIS series was better-written than the original Deadman series. At least it attempts to bring some logic and some background to a lot of the unanswered questions (or poorly-thought-out explanations) of the original series. Actually, I was surprised because I didn't know WHAT to make of Adams' BATMAN: ODYSSEY series. That was like some completely different Batman that I'd never read before. On the other hand, Neal Adams DID take over the writing of the original Deadman series from its 8th issue after Arnold Drake and Jack Miller, and wrote the last 5 issues, so my POV would be that he knows the character better than anyone at DC ever did. None of the post-Adams Deadman storylines ever amounted to anything. I thought Adams set up a very interesting premise in the miniseries, but was disappointed that the last issue ended with the storyline unresolved.

Doomsday Clock 1-7 - This has been a pretty good sequel of sorts to Watchmen.  I've enjoyed the interaction between the DC Universe and the Watchmen Universe.
If it were true to the original premise of Watchmen, the DC universe would end up irrevocably altered by the events of this story. But I think we all know that ISN'T going to happen, which makes me wonder if there's really any point. I'm enjoying the ride so far, but can there really ever be any sort of satisfying climax and resolution? It seems pretty doubtful.

2
All About Archie / Re: Chilling Adventures of Sabrina....
« on: January 11, 2019, 02:27:39 pm »
Plus you don't worry about whether any particular store is stocking the titles you like, or whether or not they'll be sold out before you get there.
This was actually a problem when I was ordering physical comics online from TFAW. If I waited a week or two after an issue came out in order to order multiple titles together and save on shipping, well, there was a chance that that title would no longer be available, so I was forced to order single issues weekly and pay for shipping each time.

The system of print comic book distribution has evolved to a pattern of pre-orders setting *VERY* tight margins on the number of copies of any particular item that the distributor carries. There are so many hundreds of items listed each and every month in the Diamond Previews catalog, that any significant percentage of overstocking on items that don't have "shelf life" results in Diamond Comics' warehouses clogging up with unsold (and in most cases, nearly unSELLable) items. I even have direct access to my LCS' Diamond ordering system, and I can tell you that in any given week there are any number of items which will ship SOLD OUT -- that means they can't even be re-ordered on the day that they're supposed to go on sale -- if you didn't get your advance order in before the cutoff date, you're out of luck. Diamond is ordering in quantities from the publishers extremely close to the actual initial order numbers submitted by retailers. Diamond wants most of their deliveries from printers to go out the door of their warehouses the same week. A few really BIG online retailers might have special deals with individual publishers (like  TFAW is owned by Mike Richardson, publisher of Dark Horse Comics), but most of their product is still coming from Diamond, so if you don't pre-order before the cutoff date for the retailer to submit his orders to Diamond, there are no guarantees you'll actually get the product.

All of this makes me think that the monthly floppy print comic book has really outlived its original purpose. In order for the comics medium to reach and expand its audience, the comics industry needs to revert to the newspaper model. Instead of comics being sold ala carte, they should be initially digital-only, and free (to view, but not to download or save) or bundled into a single low monthly subscription fee. They shouldn't even become print comics until there is a proven audience demand for the product, and then only in more substantial collected editions. That's counter-intuitive to the way just about everyone in the industry thinks though, most especially the retailers. The weekly Wednesday Warriors who buy between 10 and 40 or so floppy single comics every single week with clockwork regularity are what most retailers have courted for the last 40 years in the direct market, and that's what they use as a yardstick to gauge their weekly income (as well as planning their monthly orders). Unfortunately the collector mentality has ruined the economic viability of comics as a medium for everyone else.

3
All About Archie / Re: Chilling Adventures of Sabrina....
« on: January 11, 2019, 05:39:00 am »
I was paying a lot in shipping for physical comics, because there are no physical comic shops near me and haven't been in years (the only one that comes up in a search is 18 miles away, in the next county). So I quit physical comics in December of 2016, switched to digital, and haven't looked back.
As for the price of digital comics, well, I think $3.99 is a bit too much, regardless of whether it's digital or physical. But does anyone know how much that Archie pays the writers, artists, and letterers per issue? The $3.99 price might make some sense in terms of a way to recoup costs.
For me, it's always more convenient to read something digitally, because I'm constantly parked in front of my computer until my mom goes to bed, so it's just a matter of opening it up in my Kindle for PC program.
Digital all the way, save for a collection of some Archies done by DeCarlo, Lucey, Schwartz via Amazon...

Distribution is the absolute critical factor for a large number of people. For print comics, if you don't have a local comic shop, you don't have distribution -- except via the internet. But if that's the way you have to go, then why not just click on a button and download a comic rather than waiting (and paying) for delivery of the physical item? Plus you don't worry about whether any particular store is stocking the titles you like, or whether or not they'll be sold out before you get there. I worked out solutions to all those worries decades ago, so the distribution issue barely impacts me (except when a title is sold out at the distributor level). Having said that, if my LCS retailer was to go out of business right now, I'd probably go the internet route rather than finding another local store, and at least part of that would be digital... although it would probably result in my going almost totally to collected editions rather than single issues (I'm sure there would always be a few exceptions, though).

But I totally understand that people don't want to deal with the limitations in distribution of print comics, plus the storage and "collecting" aspects of that. They just want to READ the comics. For me, I spend all DAY in front of the computer at work, and a fair amount of time at home on the computer as well, so I'm looking for a way to get UN-ball-&-chained from the PC. Even a tablet is a little more hassle than I want. The screen's not big enough. I'm always afraid I'm going to drop the thing. Is it convenient to plug it in where I'm sitting, or do I have to check to see how much battery life I've got left? Ultimately the most convenient place to use the tablet is lying in bed. Maybe I just need a bigger screen tablet with a more robust battery, and some kind of sling or tether to keep me from accidentally dropping the thing. I wish digital comics were in the landscape page format, or desktop monitors would just swivel to display in portrait mode (yes, I realize you can buy such things, but they're expensive because almost nobody uses them).

4
General Discussion / Re: What comics have you been reading?
« on: January 10, 2019, 05:52:13 am »
SABRINA THE TEENAGE WITCH #45 (May 1978)
SABRINA THE TEENAGE WITCH #50 (Dec 1978)
BETTY AND VERONICA #294 (June 1980) - Not much to say about these. Some random (but good) old issues. I think I'd read most of these stories in reprints somewhere in the digests before.

GIANT GRAB BAG COMICS (Dec. 1975) - Truth in advertising. What they did was, they took 5 random issues of unsold Archie Comics dated Sept. or Oct. 1975, side-stapled them together, glued on a cardboard cover, and trimmed the edges. All the interior pages (including ads and editorial pages) are just the same as the individual comics; the only thing missing are the original covers. And they (a company calling itself "Modern Promotions", with a New York City address) sold this thing (which was essentially a cheap, early example of a trade paperback) for $1.25. Or tried to, anyway. There were four different title/cover variations on this idea (all of which contained randomly-selected, unsold issues of Archie Comics), at least one of which was offered the following year with a 98c cover price. 25c would have been the cover price of the individual comics in 1975, so stapling 5 together for $1.25 amounted to no discount whatsoever as opposed to buying 5 Archie Comics individually. My particular copy of this book contained the following issues: ARCHIE'S T.V. LAUGH-OUT #34, REGGIE'S WISE-GUY JOKES #35, EVERYTHING'S ARCHIE #42, MADHOUSE #99, and ARCHIE AT RIVERDALE HIGH #28.





BETTY AND ME TP - I'll keep this short and sweet. Unless you don't particularly care for Betty as a character, or for some reason don't particularly like stories by Frank Doyle & Dan DeCarlo, you should buy this trade collection. There are 36 stories here from 1966-1972 issues of BETTY AND ME, and out of those, 27 of the stories have artwork by Dan DeCarlo (and most of those were written by Frank Doyle). Of the remaining 9 non-DeCarlo stories, 4 were drawn by Bob Bolling, and 4 were drawn by Al Hartley (with a single story drawn by Samm Schwartz). IMO this is the single best volume they've done so far in the "Archie Comics Presents ..." trade paperback series. As expected by now, this does NOT reprint ALL the stories from consecutive early issues of BETTY AND ME, it's more of a "best of" collection. Included is "Heroes Are Made" from BETTY AND ME #18, which if I'm not mistaken, is actually the first comic book appearance of Hot Dog (the issue was on sale right around the time The Archie Show premiered in 1968), notable because in this story Hot Dog is Archie's dog, not Jughead's. I think one or two other stories where Hot Dog is Archie's dog got published before they decided that HD actually belonged to Jughead.



5
General Discussion / Re: What comics have you been reading?
« on: December 29, 2018, 12:09:58 pm »
ARCHIE #701 - Well, surprise. A surprise to me, too. Here I am reading a second issue (or third, if you count that 'Readers' Digest' cut-and-pasted issue #699) in a row of ARCHIE. And it dawns on me that time has finally begun moving forward in some sort of definite progression in Archie Comics. The renumbered ARCHIE series which began its first issue in 2015 (which was the beginning of a new school year for Archie and his friends) ran 32 issues, ending with the END of the school year (the prom), so the 32 issues of that series (of which the series continuing from issue #700 is a direct sequel) covered exactly one year in Archie's high school education. Between ARCHIE (2015) #32 and ARCHIE #700, they skipped over the events of the summer vacation, and with #701 here we are back again at the beginning of the new school year again.

But unlike the classic Archie comic books, for once it isn't the SAME school year (Junior year) starting all over again. I know this due to the fact that both ARCHIE and the new BETTY & VERONICA miniseries have cover banners saying "Archie Forever" (which I presume means that they're both part of a shared continuity), and BETTY & VERONICA #1's cover proclaims "SENIOR YEAR BEGINS HERE". So they're finally Seniors, at long last! Again, presuming that this new numbering sequence which began with #700 is successful enough, in another 30 issues or so, we should be seeing Senior Year come to its conclusion (which means... graduation ceremonies).

What comes after that (in a few years of "real time" for you and me) is anyone's guess. Will they proceed on to college? Or... another reboot?? (It's been just long enough that I've disabused myself of any fond and romantically-unrealistic notions that they might ever return to "classic Archie".)

So, without getting too spoiler-y here, I guess I'll admit to enough interest to at least finish out Nick Spencer's initial story arc to see where he's going with it. I will say it does appear that something (if on a rather modest scale compared to most modern comic books) is indeed at least happening in between pages 1 and 20 of the comic (which was not a feeling I'd gotten from Mark Waid's first two issues)... not a WHOLE lot, but now that I have some sense of scale (32 issues = 9 months of school), I guess the leisurely pacing seems to fit about right. Not that I was interested enough to give Jaime Rotante's B&V miniseries a try. I flipped through a copy of #1, but the artwork wasn't compelling me to ignore my instincts. Rotante's (IMO) badly-mischaracterized interpretations of B&V in the VIXENS series was enough to put me off anything she'd write forever.

6
General Discussion / Re: What comics have you been reading?
« on: December 22, 2018, 11:12:35 am »
The thing that makes me laugh is that DC's stated reasoning for the original Crisis on Infinite Earths was something like "the DC multiverse is too confusing". It was NEVER confusing. It was simplicity itself -- if you wanted to create a new variant DC Universe within the old multiverse, you could do it with a snap of your fingers (or if you were DC editor Murray Boltinoff, have your stories retroactively assigned to an alternate universe). It's everything else SINCE then that has grown increasingly, compoundedly confusing. And that includes Marvel, too -- everything since at least Heroes Reborn, but especially since Secret War.
I agree.  While Crisis on Infinite Earths was a pretty good story, I had no trouble undertanding the pre-Crisis DC Universe and wish that they had left it intact.  The John Byrne reboot could have been taking place on Earth 86 or whatever.   They've constantly been trying to 'fix' things ever since.

This isn't to say that I haven't enjoyed many of the stories since Crisis, but the simplification premise was kind of dumb.

Y'know, I think it was Mark Waid (although it might possibly have been Grant Morrison) who came up with the back-pedalling concept of Hypertime -- which is a nutshell, can be described as "Was it printed in a comic book somewhere once? Then it really happened, and still exists, somewhere." Apparently, a subsequent DC editorial fiat deemed that as too apologist and wishy-washy, and by someone's mandated decree, it was ruled that "We shall never speak of this again."

And while I can't now recall if the ugly H-word ever reared its head again within the confines of Grant Morrison's MULTIVERSITY, that's certainly what I had in the back of my mind as I was reading it. A multiplicity of multiverses that come into existence, unfolding kaleidoscope-like, but can never really be erased or merged with any others... it only seems that way if you stop looking at them.

7
General Discussion / Re: What comics have you been reading?
« on: December 21, 2018, 01:16:51 am »
I am all caught up with the Superman family of titles now.  I wasn't as far behind with them as with most other books.

I used to love the Superman comics. I'm not sure what happened exactly... I guess "reboot-itis". So many aspects of Superman's history and associated cast (and villains) have been rebooted, partially rebooted, and partially UNrebooted (or 'blenderized' with some pre-reboot version),  that I feel like I can never be sure of any particular character's status or the details of his or her backstory (Supergirl is probably the most problematic of all). Obviously, that was happening as far back as 1986 with the John Byrne reboot, and various "re-adjustments" that took place even before Flashpoint, but the worst of all was that thing a couple years back where somehow it's the old, pre-New52 Superman in the post-Flashpoint DCU, but then... they're actually one and the same, or the universes become (or somehow always were) one and the same? Or something like that... can't say I understood it. Something to do with Mxyzptlk? Or maybe it's Dr. Manhattan who's to blame, a possibility that seems to have been hinted at. It makes my brain hurt. Whatever; it's stuff that just won't go away magically by giving Supes back his red underpants and handing him over to Marvel's formerly biggest architect. I miss the Legion of Super-Heroes. Not really a fan of Jon Kent (or Damian Wayne), either. (Hard to say why exactly, since I was a big fan of the original, Pre-Crisis version of the Super-Sons.) Oh well, it's someone else's Superman now. The only one I'm currently buying is the hardcover newspaper strip reprints from IDW's Library of American Comics, and an occasional trade collection of older material from DC here and there.

The thing that makes me laugh is that DC's stated reasoning for the original Crisis on Infinite Earths was something like "the DC multiverse is too confusing". It was NEVER confusing. It was simplicity itself -- if you wanted to create a new variant DC Universe within the old multiverse, you could do it with a snap of your fingers (or if you were DC editor Murray Boltinoff, have your stories retroactively assigned to an alternate universe). It's everything else SINCE then that has grown increasingly, compoundedly confusing. And that includes Marvel, too -- everything since at least Heroes Reborn, but especially since Secret War.

My point here is that all this "wiggly continuity" undermines any suspension of disbelief I can mount to allow me to care about the characters or "get into" the story. The constant pulling out of rugs from beneath my feet destroys any sense that stories are building upon anything that came before; it's like being dumped on with a bucket of cold water, or a constant slap in the face, reminding you "it's not real, it's just a story, none of this matters, whether you like it or not -- it'll change again".

8
General Discussion / Re: Latest Hauls, what did you buy?
« on: December 20, 2018, 09:00:36 am »
I bought (4) Josie and the Pussycats Frame-Tray Puzzles by Whitman, c. 1971 and The U.S. of Archie Vinyl Record by Peter Pan Records, c. 1975 at a local antique store today.

Wow, that's a find!  Usually all you find in those stores is junk. What I mean is, people are sharper these days in terms of recognizing that old stuff (particularly character merchandise) has collectible value due to an awareness of eBay, etc.

Especially something like puzzles, because finding those completely intact with the original box and all the pieces still there is hard.

9
General Discussion / Re: What comics have you been reading?
« on: December 20, 2018, 07:13:27 am »
Skipping over a ton of stuff, because I haven't posted anything here in a while and I don't have time to write much now.  I'll catch up (on 3 weeks or so of comics reading) later.

Right now, I'll just mention a couple of recent (this week's) Archie Comics.



B & V FRIENDS DOUBLE DIGEST #266 - See if you can recognize this plot from some prior story. Mr. Lodge is angry with Veronica for charging up a storm in credit card bills, so he clamps down and forbids her from using her cards until she can find a way to contribute some money (like getting a job) to help pay for what she's already bought. Veronica's solution to this particular problem causes Mr. Lodge's well-intended attempt to teach her some responsibility to boomerang and he throws in the towel in frustration and gives Veronica her credit cards back, because ultimately that winds up costing him far less money. That's the lead story in a nutshell. The only problem with the 5-page shorts is that you can't get plots or situations too complex, and that limits the possibilities for uniqueness, or even the more interesting twists or variations on old standards. That, and the fact that Dan P. has to generate 48 of these 5-pagers a year, means that they can't all be absolute gems. Well, the artwork was nice, up to Dan's usual high standards. The usual good reprints, especially JOSIE.





ARCHIE'S BIG BOOK VOLUME 5: ACTION ADVENTURE TP - Basically this is a 2-in-1 collection of ARCHIE'S CYBER ADVENTURES (under its longer, interior story title "Adventures in the Wonder Realm") and ARCHIE'S EXPLORERS OF THE UNKNOWN. Both series are reprinted complete, respectively, from ARCHIE & FRIENDS DOUBLE DIGEST #1-5 (Feb-Jul 2011) [and later released in December of that year as a TPB collection], and ARCHIE GIANT SERIES #587 & EXPLORERS OF THE UNKNOWN! #1-6. There are two undistiguished shorter adventure-ish stories filling out the rest of the page count. Personally, I already owned the CYBER ADVENTURES TP, so I'd have rather had just the complete ARCHIE'S EXPLORERS OF THE UNKNOWN in the "Archie Comics Presents ..." format, just like they did with JUGHEAD'S TIME POLICE. At least now I have all the stories (I only had about half of the original issues), so that's nice I guess.

ARCHIE & FRIENDS DOUBLE DIGEST #1-5 (Feb-Jul 2011)

ARCHIE CYBER ADVENTURES TPB (Dec. 2011)


ARCHIE GIANT SERIES #587

ARCHIE'S EXPLORERS OF THE UNKNOWN! #1-6



10
General Discussion / Re: What are you currently watching?
« on: December 14, 2018, 02:10:44 am »
Orange Caramel (K-pop group) videos on YouTube.

11
General Discussion / Re: What comics have you been reading?
« on: November 30, 2018, 01:59:44 am »
I was disappointed with the new reprint lines since they are essentially 'best of' collections rather than being a complete reprint series.  When  they were announced, I thought that they would be starting a comprehensive reprint line with perhaps Archie and Me #1-10 in volume 1, 11-20 in volume 2 and so on, but I must have misunderstood them somewhere.  I'll just stick to my complete runs of all those titles.  If they had done it the other way, I probably would have purchased them to support the line anyway.  The few books that I don't already have were mostly covered in the Dark Horse Archives, at least for the Archie stories.

I'm convinced it's less a function of "best of" than of "what we have on hand already digitized". If people just scratched their heads wondering why SABRINA THE TEENAGE WITCH Complete Collection v1 was in black & white (the only such "Archie Complete Comics Collection" b&w collection that ACP has produced to date), it's because it was an experiment. That required them to do some actual work in terms of locating older Sabrina stories that hadn't yet been digitized, and the trade-off of the cost of that production work in digitizing previously undigitized stories for the first time was that the whole thing was printed in black & white to save ACP the cost of paying for full-color printing. The same economics applied to the trade paperback collection CHILLING TALES IN SORCERY VOL. 1.

12
General Discussion / Re: What comics have you been reading?
« on: November 29, 2018, 06:31:36 am »
Wow, when you save them up for a year or more like that, it almost seems like ACP has a full-fledged publishing operation going on, while the reality if you look at the solicitations is more like 1 or 2 (at most 3) floppy format comic books in any given month, 3 or 4 digest titles, and 2 or 3 trade collections.

Recently, I read these -

BETTY & VERONICA JUMBO COMICS DIGEST #268
B & V FRIENDS JUMBO COMICS DIGEST #265
-- These are the only regular digest titles I'm getting at this point. Recently I picked up a couple of the more recent Giant Comics digest collections, and ARCHIE 1000 PAGE COMICS ROMP, but haven't done more that read a couple hundred pages of the 1000 Page collection.

ARCHIE #700 - Theoretically, I'd say it's an improvement on the original reboot by Waid and Staples, but that doesn't mean I'll be buying it now. I only purchased this one because of the Mike Allred variant cover. It's still about as pointless to me as doing a reboot of Dilbert or Zippy using the same writer and artist.

ARCHIE AND ME TP VOL 01 - Issue 1 has artwork by Harry Lucey; 3 through 9 by Bob Bolling, the balance of the stories are written and drawn by Joe Edwards. It astounds me that this title managed to run for 161 issues. None of the stories are worse than average, but they could have appeared in almost any Archie-centric comic title. Was Mr. Weatherbee, as a character, that big of a draw? Why not Ms. Grundy? Or for that matter, what would have seemed to make much more sense to me (well I thought he was funnier, anyway) would have been Mr. Lodge.
EVERYTHING'S ARCHIE TP VOL 01 - Not as many Archies (the band) stories as you might expect. This one's all over the place in terms of artists, but the latter half of the book is heavy with Al Hartley written-&-drawn stories, which you hardly ever see much of a concentration of in random collections.

On the whole, the "Archie Comics Presents..." series of trade collections seems like a good idea, and I guess it's better than spending the same money on digest issues. It's just that the Archie-centric titles like the above (and the previous trade collections of ARCHIE AT RIVERDALE HIGH and LIFE WITH ARCHIE) don't seem all that distinctive in any way. Like you could have put the same stories into any random issue of World of Archie or Archie Jumbo Comics Digest and nobody would really have noticed that much, apart from the suspicious nature of them obviously being very close in vintage to each other. So once again, ACP continues to zig in mirror-reflection to my zag, frustrating me by not giving me what I really want. Maybe it's because they led off with unusual collections like JUGHEAD'S TIME POLICE and COSMO THE MERRY MARTIAN, which might have given me the impression we'd be seeing a much more eclectic selection, concentrating stories which had been thinly-distributed as reprints through the digests in the past. And now I'm stuck with them working their way through a long list of fairly long-running but otherwise unremarkable titles. **Deep sigh**

For the record, here's my "most wanted" wish list of titles that would fit in this series:

She's JOSIE (from #1, 1963)
THAT WILKIN BOY (from #1, 1969)
The MADHOUSE GLADS (from their 1st appearance in Madhouse Ma-ad #67, into #73-93 of their own title)
Tales Calculated to Drive You BATS (all 8 issues, complete)
Archie's MADHOUSE (from the earliest issues)
BETTY AND ME (from #1, 1965)
REGGIE AND ME (from #19, 1966)
CHERYL BLOSSOM (from the beginning)
JUGHEAD'S FANTASY (#1-3 complete + JUGHEAD'S FOLLY, the 1957 one-shot that served as a prototype)
The New WILBUR (#80-87, by Doyle & DeCarlo, 1958-59, complete)
BETTY'S DIARY (including the AGS one-shot that preceded the regular run)
VERONICA (#1-17, the "Veronica Around the World" issues)

I'd say Sabrina, but they've really already done exactly the collection I want, except that it's in black & white. Now that Sabrina's profile has been raised due to the Netfilx series, let's work on getting a deluxe hardcover edition of the exact same stories in color now, m'kay, ACP?


Just some random older floppies I found in the back issue bins:
THAT WILKIN BOY #11 (Oct-78)
ARCHIE'S T.V. LAUGH-OUT #63 (Dec-78), #67 (Jun-79)
PEP #342 (Oct-78), #345 (Jan-79)
REGGIE AND ME #342 (Dec-77)
LIFE WITH ARCHIE #45 (Jan 66), #85 (May-69), #188 (Dec-77)
ARCHIE'S CHRISTMAS LOVE-IN [AGS] #478 (Jan-79)
JUGHEAD #282 (Nov-78), #285 (Feb-79)

It's gotten to the point where some of the run-of-the-mill issues of Archie titles from the 70s or 80s, if it's a title that doesn't feature B&V, Josie, Sabrina, Bingo Wilkin, or Madhouse Glads (-- those are the ones I'll actually collect) I'll just give it a quick flip-through, and unless I see something out of the ordinary, I won't even bother to read it.


13
All About Archie / Re: New Sabrina comic book miniseries (non-horror)
« on: November 16, 2018, 01:28:13 am »
Wasn't there a Sabrina one-shot or miniseries announced around two years ago and then cancelled? Is this a resurrection of that?

You're thinking of the one-shot originally solicited for March 2017, which would have been written by Katie Cook (My Little Pony) and Franco (Tiny Titans, Little Archie one-shot), and drawn by Andy Price. The plan was to have three different covers available from artists Sandra Lanz, Adam Hughes, and Paul Renaud. Here's the original solicitation description:
Quote
Brand New One-Shot Special! Sabrina is off to college for her first foray into 'the real world.' After years of being protectively home schooled by her aunts, she is ready to experience friends, boys, and parties-but a shocking revelation will rock her world in a way she never expected!

A sample of Andy Price's artwork for that one-shot, and the Adam Hughes cover variant:


The new miniseries by Kelly Thompson (w) and Veronica & Andy Fish (a) is described simply as:
Quote
... A new Archie Comics mini-series launching in 2019 that will modernize the classic Sabrina character we all love, sans the Dark Baptism and Satanic imagery of more recent incarnations. Readers will follow Sabrina as she moves to Greendale with her aunts, Hilda and Zelda, and attempts to navigate high school while her magical powers emerge.

Sample character designs by the Fishs for the new miniseries, and a cover image:


It's funny that it took a television (if that's really the right word for Netflix) adaptation of the Archie Horror version of Sabrina to bump-start an updated version of the classic Sabrina premise. I would have thought that would have been the very next thing on the list after the rebooted version of Josie and the Pussycats (if not before) -- not REGGIE & ME (a title which hadn't had a comic book published since 1980). Now, with the success of the Netflix series, it would be incredibly stupid of ACP not to try to capitalize on the Sabrina brand by launching some sort of new product -- it's pretty clear that Roberto Aguirre-Sacasa's priorities lie with RIVERDALE, and not with writing issues of some horror comics that sell a measly few thousand copies each.

So to answer your original question, NO -- no relation to the previous one-shot solicited and cancelled in 2017. Personally, I would have loved to have seen the previously-solicited one-shot. The Andy Price interpretation of Sabrina seems much more in line with "classic Sabrina", while the Fishs' version seems much more "New Riverdale Sabrina" (although not the same version of the character which appeared in Ryan North & Derek Charm's JUGHEAD). I suppose I will read the new version of Sabrina (I'm sure I can borrow a copy), but I'm not particularly excited about it, as compared with the previous Derek Charm and Andy Price interpretations. Visually, the Fishs' version of Sabrina seems barely distinguishable from Robert Hack's ChAoS version -- but that might be a very deliberate decision on ACP's part.

14
General Comics / Re: Stan Lee has died
« on: November 13, 2018, 11:34:58 am »
There are a few quotes from Stan Lee in The Best of Archie Comics. He also had nothing but high praise for working with Dan DeCarlo.

15
General Discussion / Re: What comics have you been reading?
« on: November 12, 2018, 08:54:30 am »
I remember debating picking up Exorsisters, but ultimately decided to pass based on the preview.  Since you are recommending it, I will plan on checking the trade out when it eventually is released.  Even if I was collecting it, though, I wouldn't be reading it.  My policy on many new series, especially from Image and smaller companies or miniseries, is to keep the books in a box as they are released and to read the title when it is complete or when four or five issues are out. 

Well, if you are retired I guess it explains how you have so much time to read all those comics.

Given that you're saying you might check out Exorsisters in trade, I wonder (based on your reading habits of waiting months to read 5 issues or so of any given title) why you're not just getting the trade collections of all those other titles to begin with. I mean I can see it where some people just want (theoretically at least, presuming that they can find the time) to read things while they're still "fresh", and not wait on a gap of several months until the trade collection is released, but it seems like by the time you're getting around to those particular issue numbers, the TP collection must already be available or at least imminent within the next month or so. It seems like next to nothing (getting to the real fringe publishers otherwise) that isn't getting that trade collection, almost like clockwork in today's comic publishing world.

For myself, I know there are a few titles where I'd start off buying the individual issues, then for one reason or another, never get around to catching up on the title until the trade collection was out or due out soon. When that happens I just sort of scratch my head and wonder what I was thinking. If I was going to wait that long to read those comics, then why didn't I just wait for the trade in the first place?

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