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Messages - rusty

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General Discussion / Re: What comics have you been reading?
« on: January 11, 2019, 04:25:59 pm »
DC Beach Blanket Bad Guys Summer Special 1, Holiday Special 2017 1, House of Horror 1, Nuclear Winter Special 1 - These 80 page giants are a lot more expensive than the ones from the 1960s.  Overall, pretty decent collections of short stories.
These things always strike me as the 'Chinese food' of comic books. As in, when next Wednesday rolls around, you won't remember a thing you read in them. I liked the Swamp Thing Winter Special, though. There was also a Walmart exclusive one-shot Swamp Thing Special, which was a good mix of classic reprints with a couple of new stories for (IIRC) $6.

Deadman 1-6 - I enjoyed this series, but I think Neal Adams is better as an artist than as a writer.
But it could still be argued that THIS series was better-written than the original Deadman series. At least it attempts to bring some logic and some background to a lot of the unanswered questions (or poorly-thought-out explanations) of the original series. Actually, I was surprised because I didn't know WHAT to make of Adams' BATMAN: ODYSSEY series. That was like some completely different Batman that I'd never read before. On the other hand, Neal Adams DID take over the writing of the original Deadman series from its 8th issue after Arnold Drake and Jack Miller, and wrote the last 5 issues, so my POV would be that he knows the character better than anyone at DC ever did. None of the post-Adams Deadman storylines ever amounted to anything. I thought Adams set up a very interesting premise in the miniseries, but was disappointed that the last issue ended with the storyline unresolved.

Doomsday Clock 1-7 - This has been a pretty good sequel of sorts to Watchmen.  I've enjoyed the interaction between the DC Universe and the Watchmen Universe.
If it were true to the original premise of Watchmen, the DC universe would end up irrevocably altered by the events of this story. But I think we all know that ISN'T going to happen, which makes me wonder if there's really any point. I'm enjoying the ride so far, but can there really ever be any sort of satisfying climax and resolution? It seems pretty doubtful.

General Discussion / Re: What comics have you been reading?
« on: December 29, 2018, 12:09:58 pm »
ARCHIE #701 - Well, surprise. A surprise to me, too. Here I am reading a second issue (or third, if you count that 'Readers' Digest' cut-and-pasted issue #699) in a row of ARCHIE. And it dawns on me that time has finally begun moving forward in some sort of definite progression in Archie Comics. The renumbered ARCHIE series which began its first issue in 2015 (which was the beginning of a new school year for Archie and his friends) ran 32 issues, ending with the END of the school year (the prom), so the 32 issues of that series (of which the series continuing from issue #700 is a direct sequel) covered exactly one year in Archie's high school education. Between ARCHIE (2015) #32 and ARCHIE #700, they skipped over the events of the summer vacation, and with #701 here we are back again at the beginning of the new school year again.

But unlike the classic Archie comic books, for once it isn't the SAME school year (Junior year) starting all over again. I know this due to the fact that both ARCHIE and the new BETTY & VERONICA miniseries have cover banners saying "Archie Forever" (which I presume means that they're both part of a shared continuity), and BETTY & VERONICA #1's cover proclaims "SENIOR YEAR BEGINS HERE". So they're finally Seniors, at long last! Again, presuming that this new numbering sequence which began with #700 is successful enough, in another 30 issues or so, we should be seeing Senior Year come to its conclusion (which means... graduation ceremonies).

What comes after that (in a few years of "real time" for you and me) is anyone's guess. Will they proceed on to college? Or... another reboot?? (It's been just long enough that I've disabused myself of any fond and romantically-unrealistic notions that they might ever return to "classic Archie".)

So, without getting too spoiler-y here, I guess I'll admit to enough interest to at least finish out Nick Spencer's initial story arc to see where he's going with it. I will say it does appear that something (if on a rather modest scale compared to most modern comic books) is indeed at least happening in between pages 1 and 20 of the comic (which was not a feeling I'd gotten from Mark Waid's first two issues)... not a WHOLE lot, but now that I have some sense of scale (32 issues = 9 months of school), I guess the leisurely pacing seems to fit about right. Not that I was interested enough to give Jaime Rotante's B&V miniseries a try. I flipped through a copy of #1, but the artwork wasn't compelling me to ignore my instincts. Rotante's (IMO) badly-mischaracterized interpretations of B&V in the VIXENS series was enough to put me off anything she'd write forever.

General Discussion / Re: What comics have you been reading?
« on: December 22, 2018, 11:12:35 am »
The thing that makes me laugh is that DC's stated reasoning for the original Crisis on Infinite Earths was something like "the DC multiverse is too confusing". It was NEVER confusing. It was simplicity itself -- if you wanted to create a new variant DC Universe within the old multiverse, you could do it with a snap of your fingers (or if you were DC editor Murray Boltinoff, have your stories retroactively assigned to an alternate universe). It's everything else SINCE then that has grown increasingly, compoundedly confusing. And that includes Marvel, too -- everything since at least Heroes Reborn, but especially since Secret War.
I agree.  While Crisis on Infinite Earths was a pretty good story, I had no trouble undertanding the pre-Crisis DC Universe and wish that they had left it intact.  The John Byrne reboot could have been taking place on Earth 86 or whatever.   They've constantly been trying to 'fix' things ever since.

This isn't to say that I haven't enjoyed many of the stories since Crisis, but the simplification premise was kind of dumb.

Y'know, I think it was Mark Waid (although it might possibly have been Grant Morrison) who came up with the back-pedalling concept of Hypertime -- which is a nutshell, can be described as "Was it printed in a comic book somewhere once? Then it really happened, and still exists, somewhere." Apparently, a subsequent DC editorial fiat deemed that as too apologist and wishy-washy, and by someone's mandated decree, it was ruled that "We shall never speak of this again."

And while I can't now recall if the ugly H-word ever reared its head again within the confines of Grant Morrison's MULTIVERSITY, that's certainly what I had in the back of my mind as I was reading it. A multiplicity of multiverses that come into existence, unfolding kaleidoscope-like, but can never really be erased or merged with any others... it only seems that way if you stop looking at them.

General Discussion / Re: What comics have you been reading?
« on: December 21, 2018, 01:16:51 am »
I am all caught up with the Superman family of titles now.  I wasn't as far behind with them as with most other books.

I used to love the Superman comics. I'm not sure what happened exactly... I guess "reboot-itis". So many aspects of Superman's history and associated cast (and villains) have been rebooted, partially rebooted, and partially UNrebooted (or 'blenderized' with some pre-reboot version),  that I feel like I can never be sure of any particular character's status or the details of his or her backstory (Supergirl is probably the most problematic of all). Obviously, that was happening as far back as 1986 with the John Byrne reboot, and various "re-adjustments" that took place even before Flashpoint, but the worst of all was that thing a couple years back where somehow it's the old, pre-New52 Superman in the post-Flashpoint DCU, but then... they're actually one and the same, or the universes become (or somehow always were) one and the same? Or something like that... can't say I understood it. Something to do with Mxyzptlk? Or maybe it's Dr. Manhattan who's to blame, a possibility that seems to have been hinted at. It makes my brain hurt. Whatever; it's stuff that just won't go away magically by giving Supes back his red underpants and handing him over to Marvel's formerly biggest architect. I miss the Legion of Super-Heroes. Not really a fan of Jon Kent (or Damian Wayne), either. (Hard to say why exactly, since I was a big fan of the original, Pre-Crisis version of the Super-Sons.) Oh well, it's someone else's Superman now. The only one I'm currently buying is the hardcover newspaper strip reprints from IDW's Library of American Comics, and an occasional trade collection of older material from DC here and there.

The thing that makes me laugh is that DC's stated reasoning for the original Crisis on Infinite Earths was something like "the DC multiverse is too confusing". It was NEVER confusing. It was simplicity itself -- if you wanted to create a new variant DC Universe within the old multiverse, you could do it with a snap of your fingers (or if you were DC editor Murray Boltinoff, have your stories retroactively assigned to an alternate universe). It's everything else SINCE then that has grown increasingly, compoundedly confusing. And that includes Marvel, too -- everything since at least Heroes Reborn, but especially since Secret War.

My point here is that all this "wiggly continuity" undermines any suspension of disbelief I can mount to allow me to care about the characters or "get into" the story. The constant pulling out of rugs from beneath my feet destroys any sense that stories are building upon anything that came before; it's like being dumped on with a bucket of cold water, or a constant slap in the face, reminding you "it's not real, it's just a story, none of this matters, whether you like it or not -- it'll change again".

General Discussion / Re: What comics have you been reading?
« on: December 20, 2018, 07:13:27 am »
Skipping over a ton of stuff, because I haven't posted anything here in a while and I don't have time to write much now.  I'll catch up (on 3 weeks or so of comics reading) later.

Right now, I'll just mention a couple of recent (this week's) Archie Comics.

B & V FRIENDS DOUBLE DIGEST #266 - See if you can recognize this plot from some prior story. Mr. Lodge is angry with Veronica for charging up a storm in credit card bills, so he clamps down and forbids her from using her cards until she can find a way to contribute some money (like getting a job) to help pay for what she's already bought. Veronica's solution to this particular problem causes Mr. Lodge's well-intended attempt to teach her some responsibility to boomerang and he throws in the towel in frustration and gives Veronica her credit cards back, because ultimately that winds up costing him far less money. That's the lead story in a nutshell. The only problem with the 5-page shorts is that you can't get plots or situations too complex, and that limits the possibilities for uniqueness, or even the more interesting twists or variations on old standards. That, and the fact that Dan P. has to generate 48 of these 5-pagers a year, means that they can't all be absolute gems. Well, the artwork was nice, up to Dan's usual high standards. The usual good reprints, especially JOSIE.

ARCHIE'S BIG BOOK VOLUME 5: ACTION ADVENTURE TP - Basically this is a 2-in-1 collection of ARCHIE'S CYBER ADVENTURES (under its longer, interior story title "Adventures in the Wonder Realm") and ARCHIE'S EXPLORERS OF THE UNKNOWN. Both series are reprinted complete, respectively, from ARCHIE & FRIENDS DOUBLE DIGEST #1-5 (Feb-Jul 2011) [and later released in December of that year as a TPB collection], and ARCHIE GIANT SERIES #587 & EXPLORERS OF THE UNKNOWN! #1-6. There are two undistiguished shorter adventure-ish stories filling out the rest of the page count. Personally, I already owned the CYBER ADVENTURES TP, so I'd have rather had just the complete ARCHIE'S EXPLORERS OF THE UNKNOWN in the "Archie Comics Presents ..." format, just like they did with JUGHEAD'S TIME POLICE. At least now I have all the stories (I only had about half of the original issues), so that's nice I guess.





Feedback/Support / Re: Features
« on: December 07, 2018, 11:49:38 pm »
Based on the lack of feedback I'm going to assume that the shop and enhanced profiles aren't all that important...

I'm going to wait until after the holidays to upgrade the forum (and also to allow time for some of the bugs in the newer version to be worked out), but will keep everyone posted about the upcoming changes.

General Discussion / Re: What comics have you been reading?
« on: November 30, 2018, 01:59:44 am »
I was disappointed with the new reprint lines since they are essentially 'best of' collections rather than being a complete reprint series.  When  they were announced, I thought that they would be starting a comprehensive reprint line with perhaps Archie and Me #1-10 in volume 1, 11-20 in volume 2 and so on, but I must have misunderstood them somewhere.  I'll just stick to my complete runs of all those titles.  If they had done it the other way, I probably would have purchased them to support the line anyway.  The few books that I don't already have were mostly covered in the Dark Horse Archives, at least for the Archie stories.

I'm convinced it's less a function of "best of" than of "what we have on hand already digitized". If people just scratched their heads wondering why SABRINA THE TEENAGE WITCH Complete Collection v1 was in black & white (the only such "Archie Complete Comics Collection" b&w collection that ACP has produced to date), it's because it was an experiment. That required them to do some actual work in terms of locating older Sabrina stories that hadn't yet been digitized, and the trade-off of the cost of that production work in digitizing previously undigitized stories for the first time was that the whole thing was printed in black & white to save ACP the cost of paying for full-color printing. The same economics applied to the trade paperback collection CHILLING TALES IN SORCERY VOL. 1.

General Discussion / Re: What comics have you been reading?
« on: November 29, 2018, 06:31:36 am »
Wow, when you save them up for a year or more like that, it almost seems like ACP has a full-fledged publishing operation going on, while the reality if you look at the solicitations is more like 1 or 2 (at most 3) floppy format comic books in any given month, 3 or 4 digest titles, and 2 or 3 trade collections.

Recently, I read these -

-- These are the only regular digest titles I'm getting at this point. Recently I picked up a couple of the more recent Giant Comics digest collections, and ARCHIE 1000 PAGE COMICS ROMP, but haven't done more that read a couple hundred pages of the 1000 Page collection.

ARCHIE #700 - Theoretically, I'd say it's an improvement on the original reboot by Waid and Staples, but that doesn't mean I'll be buying it now. I only purchased this one because of the Mike Allred variant cover. It's still about as pointless to me as doing a reboot of Dilbert or Zippy using the same writer and artist.

ARCHIE AND ME TP VOL 01 - Issue 1 has artwork by Harry Lucey; 3 through 9 by Bob Bolling, the balance of the stories are written and drawn by Joe Edwards. It astounds me that this title managed to run for 161 issues. None of the stories are worse than average, but they could have appeared in almost any Archie-centric comic title. Was Mr. Weatherbee, as a character, that big of a draw? Why not Ms. Grundy? Or for that matter, what would have seemed to make much more sense to me (well I thought he was funnier, anyway) would have been Mr. Lodge.
EVERYTHING'S ARCHIE TP VOL 01 - Not as many Archies (the band) stories as you might expect. This one's all over the place in terms of artists, but the latter half of the book is heavy with Al Hartley written-&-drawn stories, which you hardly ever see much of a concentration of in random collections.

On the whole, the "Archie Comics Presents..." series of trade collections seems like a good idea, and I guess it's better than spending the same money on digest issues. It's just that the Archie-centric titles like the above (and the previous trade collections of ARCHIE AT RIVERDALE HIGH and LIFE WITH ARCHIE) don't seem all that distinctive in any way. Like you could have put the same stories into any random issue of World of Archie or Archie Jumbo Comics Digest and nobody would really have noticed that much, apart from the suspicious nature of them obviously being very close in vintage to each other. So once again, ACP continues to zig in mirror-reflection to my zag, frustrating me by not giving me what I really want. Maybe it's because they led off with unusual collections like JUGHEAD'S TIME POLICE and COSMO THE MERRY MARTIAN, which might have given me the impression we'd be seeing a much more eclectic selection, concentrating stories which had been thinly-distributed as reprints through the digests in the past. And now I'm stuck with them working their way through a long list of fairly long-running but otherwise unremarkable titles. **Deep sigh**

For the record, here's my "most wanted" wish list of titles that would fit in this series:

She's JOSIE (from #1, 1963)
THAT WILKIN BOY (from #1, 1969)
The MADHOUSE GLADS (from their 1st appearance in Madhouse Ma-ad #67, into #73-93 of their own title)
Tales Calculated to Drive You BATS (all 8 issues, complete)
Archie's MADHOUSE (from the earliest issues)
BETTY AND ME (from #1, 1965)
REGGIE AND ME (from #19, 1966)
CHERYL BLOSSOM (from the beginning)
JUGHEAD'S FANTASY (#1-3 complete + JUGHEAD'S FOLLY, the 1957 one-shot that served as a prototype)
The New WILBUR (#80-87, by Doyle & DeCarlo, 1958-59, complete)
BETTY'S DIARY (including the AGS one-shot that preceded the regular run)
VERONICA (#1-17, the "Veronica Around the World" issues)

I'd say Sabrina, but they've really already done exactly the collection I want, except that it's in black & white. Now that Sabrina's profile has been raised due to the Netfilx series, let's work on getting a deluxe hardcover edition of the exact same stories in color now, m'kay, ACP?

Just some random older floppies I found in the back issue bins:
THAT WILKIN BOY #11 (Oct-78)
ARCHIE'S T.V. LAUGH-OUT #63 (Dec-78), #67 (Jun-79)
PEP #342 (Oct-78), #345 (Jan-79)
REGGIE AND ME #342 (Dec-77)
LIFE WITH ARCHIE #45 (Jan 66), #85 (May-69), #188 (Dec-77)
JUGHEAD #282 (Nov-78), #285 (Feb-79)

It's gotten to the point where some of the run-of-the-mill issues of Archie titles from the 70s or 80s, if it's a title that doesn't feature B&V, Josie, Sabrina, Bingo Wilkin, or Madhouse Glads (-- those are the ones I'll actually collect) I'll just give it a quick flip-through, and unless I see something out of the ordinary, I won't even bother to read it.

General Discussion / Re: What comics have you been reading?
« on: November 21, 2018, 05:55:59 pm »
I read 🍌 Banana Fish 🐟 - Volume #1

General Discussion / Re: What comics have you been reading?
« on: November 14, 2018, 01:54:00 pm »
The Nameless City - Volume #1

General Discussion / Re: What comics have you been reading?
« on: November 12, 2018, 08:54:30 am »
I remember debating picking up Exorsisters, but ultimately decided to pass based on the preview.  Since you are recommending it, I will plan on checking the trade out when it eventually is released.  Even if I was collecting it, though, I wouldn't be reading it.  My policy on many new series, especially from Image and smaller companies or miniseries, is to keep the books in a box as they are released and to read the title when it is complete or when four or five issues are out. 

Well, if you are retired I guess it explains how you have so much time to read all those comics.

Given that you're saying you might check out Exorsisters in trade, I wonder (based on your reading habits of waiting months to read 5 issues or so of any given title) why you're not just getting the trade collections of all those other titles to begin with. I mean I can see it where some people just want (theoretically at least, presuming that they can find the time) to read things while they're still "fresh", and not wait on a gap of several months until the trade collection is released, but it seems like by the time you're getting around to those particular issue numbers, the TP collection must already be available or at least imminent within the next month or so. It seems like next to nothing (getting to the real fringe publishers otherwise) that isn't getting that trade collection, almost like clockwork in today's comic publishing world.

For myself, I know there are a few titles where I'd start off buying the individual issues, then for one reason or another, never get around to catching up on the title until the trade collection was out or due out soon. When that happens I just sort of scratch my head and wonder what I was thinking. If I was going to wait that long to read those comics, then why didn't I just wait for the trade in the first place?

General Discussion / Re: What comics have you been reading?
« on: November 12, 2018, 01:42:27 am »
Since I have over 300 Image comics to catch up on, I'm breaking it up a bit.   B-F to start

Wow, that is a lot of titles (considering it's just B through F), Rusty. Do you have (in your head, or can you approximate by some rough figuring) how many different titles (in progress, ongoing or limited series) you're reading at any given time, including all publishers? I mean the things that actually do get published on some sort of semi-regular schedule, not those things that are once-in-a-blue-moon (like for example, the various comic strip reprint series from IDW's Library of American Comics, which are probably no more often than annual at best).

What I really wanted to ask though, is did you not get Ian Boothby and Gisèle Lagacé's new Image series EXORSISTERS? (Begins with an E, right?) If not, you should really check that one out. Twin sisters (but not really) Cate and Kate Harrow are supernatural investigators and as close as can be (spoilers again, not really twins), but totally different in personality. Like Betty and Veronica, or more apropos, like Patty and Cathy Lane in The Patty Duke Show. Fun-filled supernatural situation comedy ensues. I like Gisèle's other stuff with Dave Lumsdon -- Ménage à 3, Eerie Cuties and Magick Chicks (in increasing order of how much I like them) but I feel like Exorsisters has the potential to be even funnier, and it's already off to a great start. I really hope it's an ongoing series from Image and not just a limited series.

[SPOILER: A lot of the covers seem to have this split-image or mirror-reflection motif, and that's a clue about the true nature of the Exorsisters.]

General Discussion / Re: What comics have you been reading?
« on: November 11, 2018, 04:22:06 am »

  Story, art and cover by Joe Musial. King Features Syndicate comic strip characters star in an educational story about nuclear physics (expanded from a 1948 article that appeared in Popular Science magazine).

Mandrake the Magician takes the scientific position, explaining to Dagwood and Blondie the basics of atomic power. Numerous other characters appear as well, including Jiggs and Maggie from Bringing Up Father, the Katzenjammer Kids, Henry, Snuffy Smith, and Popeye, Olive Oyl, and Wimpy. The upper 3/5ths of each page consists of a single comic panel with word balloons, while the bottom 2/5ths of each page contains text elaborating on the idea presented in detail. Page 28 consists of a multiple-choice quiz (18 questions) to test what you've learned by reading (correct answers provided inside back cover).
Back in 2012, the genesis of the special comic, which was published by Harvey Comics and distributed to schools for free, and was also included as an item in A.C. Gilbert Co.'s No. U-238 Atomic Energy Lab Kit in 1950, was explained by the anonymous "Archivist" at the KFS website (
The how and why of atom-splitting was explained many times in many ways, but mostly, a lot of people were confused or unsure about just how that energy was created or what were the prospects for usage. General Leslie Groves, who had lead the Manhattan Project during the War, and now in retirement, was a respected expert on all things atomic. He first developed an idea for presenting the atomic story for laypeople with cartoons, and approached Joe Musial with this concept.

Joe Musial was an all-around utility player for the syndicate. He could write stories, do ghost work on any number of strips and comic books in different styles, even outside the Hearst realm.

As the head of “King Features Educational Division,” he first created an exhibit for the atomic show at the New York Golden Jubilee exhibition in 1948, explaining the workings of atomic power with King Features’ cartoon stars. This led to the comic book version.

General Groves wrote a preface in the finished book, and other contributors included Hearst columnist, Bob Considine, as well as several physicists and a quote from Bernard Baruch.

The most popular strip stars during that era were the Bumsteads, so naturally they would be the leads in the book. The “story” inside was that Blondie and Dagwood, accompanied by the rest of the King characters, attend a public lecture given by Mandrake on just what atoms are made of, how they get pulled apart, and what causes them to detonate.  The Bumsteads  are magically transported to atomic size so they can inspect the various neutrons, protons and electrons doing their stuff up close while a scientific explanation narrates the pages below the cartoons. Though Chic Young’s photo is inserted in the opening of the book, doubtless no one else but Musial drew the illustrations.

The story begins, "THIS BOOK TELLS what an atom is, how it can be split and what happens when it is split. Here, therefore, is a comic book that is different from any you have ever seen." You might think that a comic book such as this produced in 1949 would be viewed in hindsight as hokey, naive and oversimplifing a complex topic, but nothing could be further from the truth. Still as relevant today as it was nearly 70 years ago.

General Discussion / Re: What comics have you been reading?
« on: November 09, 2018, 01:30:00 am »
I'm caught up on Dynamite now.

I don't know what to say about Dynamite. I wish they'd give as much attention to the stories and interior artwork as they do to the covers. I buy a fair number of their titles, just based on my liking the characters, but sometimes it seems like I'm just getting them for the covers.

There are some examples of good stuff, where they're at the top of their game (The Shadow: The Death of Margo Lane, Doc Savage: Ring of Fire, Will Eisner's The Spirit: The Corpse Makers, Edgar Rice Burroughs' The Greatest Adventure, Sherlock Holmes, Vampirella: Roses For the Dead, Dawn/Vampirella, and Vampirella (2014, Volume 2, the one written by Nancy Collins). And the recent Sheena was better than expected and the new Elvira: Mistress of the Dark is pretty good so far (my expectations were kind of low at this point, so it's a pleasant surprise). Unfortunately, they just seem to be too few and far between, considering all the titles they put out.

And then there are far too many instances where they're really a letdown: Green Hornet '66 Meets Will Eisner's Spirit (not even the real Spirit), the Gold Key stuff, Bettie Page, that most recent wave of reboots of The Shadow, Green Hornet, Vampirella, and Dejah Thoris, and (turning out to be a big disappointment for me) the long-awaited return of Project Superpowers. Mighty Mouse didn't quite click for me -- I think it was because, while it seemed like a fun spin on the character, the artwork just didn't cut it. They needed someone who could draw the story in a way that would have made it funnier to read. I say that as a guy who absolutely loves what Sholly Fisch is doing every month writing Scooby-Doo Team-Up. Anyway, it always feels like (barring well-known talent) most Dynamite series are going to be a real crap shoot when you pick them up. And then a lot of them are just middling-fair, like Red Sonja/Tarzan (but then I'm not really a Gail Simone fan).

They also publish a bunch of licensed properties that I don't read (Battlestar Galactica, Charlie's Angels, Dresden Files, James Bond, John Wick, Nancy Drew, Red Sonja) that I can't comment on. I'd kind of like to read James Bond, but since they're not doing the movie Bond, I'll wait until they actually adapt one of Fleming's books, or at least do an original story set in continuity in that time period. I can see why they update 007 for movie audiences (which makes it a different character), but to me the real Bond is set during the height of the Cold War, and he's a character of that time.

General Discussion / Re: What comics have you been reading?
« on: November 03, 2018, 04:43:12 pm »
watching things on my phone is not ideal.

I've come to the conclusion that it must be some sort of generational thing, since large numbers of people seem to have absolutely no problem with the idea. That goes for reading comics or e-books, as well. Then again, if a video is not being displayed in its correct aspect ratio it's immediately apparent to me (and annoying to the point where I just can't watch it), but apparently what's annoying to other people that they just can't stand is an area of their screen that isn't being used where nothing but black bars appear.

But that's coming from a guy who has no idea why anyone would want to text on a phone using a tiny keyboard when they could just call (even if it's just to leave a voicemail) or email someone. People not only seem to enjoy but actually prefer texting, though.

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