« Last post by BettyReggie on Today at 06:13:52 am »
I'll up date this thread later today.
Days we look foward to as Archie Fans. by BettyReggie
[Today at 06:13:52 am]
What have you done today? by BettyReggie
[Today at 06:12:49 am]
What comics have you been reading? by rusty
[October 14, 2018, 10:45:16 pm]
Riverdale Reviewed by Tuxedo Mark
[October 13, 2018, 08:38:41 pm]
What are you currently watching? by DeCarlo Rules
[October 13, 2018, 10:33:56 am]
New York Comic Con 2018 by BettyReggie
[October 08, 2018, 05:37:04 am]
Anachronism Patrol by DeCarlo Rules
[October 06, 2018, 11:59:27 pm]
Latest Hauls, what did you buy? by Archiecomicxfan215
[October 05, 2018, 10:56:07 pm]
The " Carrie " Riverdale Episode by ASS-P
[October 03, 2018, 09:37:25 pm]
ARCHIE COMICS FOR NOVEMBER 2017 by Servicejlv
[October 03, 2018, 06:37:45 pm]
« Last post by BettyReggie on Today at 06:13:52 am »
I'll up date this thread later today.
« Last post by BettyReggie on Today at 06:12:49 am »
I put up my commissions .
« Last post by Archiecomicxfan215 on October 15, 2018, 09:35:10 am »
Today is my off day from work. I am on my way ro Ikea with my fiancé
« Last post by rusty on October 14, 2018, 10:45:16 pm »
Berlin by Jason Lutes - This hardcover is over 500 pages and collects the entire 22 issue run which has taken since 1996 to complete. I've been reading the series since it began, but purchased the hardcover as well. It takes place in Berlin from 1928-1933 and utilizes a lot of characters who are not necessarily important historically - Marthe Muller, an art student who comes to the city at least in part to get away from her father - Kurt Severing, a journalist who writes for a paper read by poets and intellectuals - Silvia Braun, a young girl whose father is a National Socialist and whose mother is a Communist - The Cocoa Kids, an African-American jazz quintet in town playing at a jazz club - and others as well. The unrest in the city is shown and the gradual buildup of power for the National Socialists (Nazis) plus the battles with the Reds (Communists) and the anti-Semitism as well. This is a well researched and entertaining story that is well worth checking out.
Edited to add - One thing that I should note is that the font size used in the word balloons is kind of small which may make it difficult for some people to read. It is still worth it, though.
« Last post by DeCarlo Rules on October 14, 2018, 03:44:59 am »
FIST OF THE NORTH STAR: Master Edition Vol. 1-9 by Buronson & Tetsuo Hara [Raijin Comics, 2004] - Great story, and the single best presentation of any manga I've seen in English translation. Each volume was 196 pages, 7"x10" (same page size as a golden age comic book, or Shonen Jump, but on heavy glossy paper and digitally colored), with a b&w cardboard cover wrapped in a color dustjacket, and contains some extras. These were originally priced at $17.95 cover price, but I got them on sale about 10 years ago for $11 per volume. The same story had an earlier, different translation (with reversed pages) by Viz, in both the 'prestige format' standard comic size, and as 4 smaller b&w trade paperback volumes, but covered less than half the story contained in Raijin's 9 volume set. Unfortunately, those 9 volumes still barely scratch the surface of the complete Japanese saga, which ran for 5 years (245 chapters serialized in Shonen Jump) and was collected in 27 tankobon volumes, while the Master Edition only got as far as reprinting the first 74 chapters, so there are still 18 1/2 volumes in the saga of Fist of the North Star that I'll probably never get to read. An anime TV series which originally ran for 152 episodes from 1984 to 1988 (and is a fairly faithful adaptation of the manga) is available on an American DVD release with English subtitles, and even that doesn't adapt all the events of the manga's 245 chapters, but I guess it's the best I'll be able to do unless I learn to read Japanese.
The real point I'm getting at here is that I wish some of the current English-localized manga publishers would do something in a format exactly like these deluxe editions.
« Last post by Tuxedo Mark on October 13, 2018, 08:38:41 pm »
This week, I review "Twilite" from Archie & Friends #146-147.
« Last post by DeCarlo Rules on October 13, 2018, 10:52:32 am »
MARVEL KNIGHTS (2000) #1-15
« Last post by DeCarlo Rules on October 13, 2018, 10:33:56 am »
The Disastrous Life of Saiki K.
A high school comedy about a sixteen year old with psychic powers. He has pretty much all of them, and he's anything but happy about it. All he wants is to live a normal, boring, ordinary life, but he can't turn off his powers, so it's impossible. For example, he can't enjoy games or sports because he always knows already who's going to win. He can't even enjoy a surprise party, because nothing will ever surprise him. And he'd rather not have to eavesdrop on what everyone's thinking, but it can't be helped. He's pretty annoyed about it too. It doesn't help that he's surrounded by his weird classmates and weird parents' odd behavior. Still, that's his life and he's got to put up with it, so the series deals a lot with his coping mechanisms.
« Last post by DeCarlo Rules on October 12, 2018, 03:52:54 am »
THE COMPLETE COSMO THE MERRY MARTIAN TP by Sy Reit and Bob White - This was a fun six issue series (the trade collection also includes "Good Guys of the Galaxy", a Tom DeFalco/Fernando Ruiz semiparody of Marvel's Guardians of the Galaxy from ARCHIE 655, which happens to be my personal favorite of their collaborations, and a 5-page ARCHIE DOUBLE DIGEST story written & drawn by Fernando, both stories featuring guest appearances by Cosmo, plus a couple more only-tangentially-related 5-pagers written by Dan Parent, and a complete reprint of the 1st issue of the new COSMO series). The Sy Reit/Bob White collaboration on COSMO, which originally appeared in 1958-59, was unusual in style, as well as in being essentially one long (if episodic) story, continued from issue to issue. It's hard to think of any other standard comic books that were doing that at the time. Absurdity and gags are the main focus here, plus just a teensy amount of actual factual science educating readers on the basics of what was known about the Moon, Mars, Venus and Saturn at the time. Characterization is fairly minimal, with the standout character being Orbi, a likeable but devout coward, who's always getting into trouble (and thus helping drive the plot, such as it is, forward). The basic plot of the series is a travelogue around the solar system, discovering what life exists on other worlds. It has a certain goofy nostalgic charm that amuses me, however, particularly in the way it's drawn. Martians as drawn by Bob White look a lot like Al Capp's schmoos (from Li'l Abner) or slightly overweight bowling pins. The body proportions vary a little otherwise, as drawn by Fernando Ruiz in the two more modern stories.
COSMO VOL 01: SPACE ACES TP by Ian Flynn and Tracy Yardley - I really liked this reboot, despite its lack of strict adherence to the earlier versions of the characters by Reit & White. Given that there wasn't a lot of characterization in the original to begin with, that was probably a good decision. I'm not sure a straight-up modern version of the earlier Cosmo would have really worked. The character that survives the transition mostly intact is Orbi, who retains his character as a dedicated coward but a nice guy. Cosmo is somewhat younger, more of an adventurous/heroic sort of space explorer, and Astra (Cosmo's girlfriend and sometimes damsel-in-distress in the original series) is given a more active role as the pilot of Cosmo's spaceship, the "Ufo" (pronounced "You-foe"), and there's a friendly rivalry/romantic tension between her and Cosmo. Orbi's doglike Martian pet Jojo in the original series becomes a metamorphic alien pet, giving him in effect a superpower the rest of the crew don't have, and making him very useful to have around. The elderly bearded Martian scientist-inventor Prof. Thimk from the original series is missing from the rebooted version altogether, replaced by the much younger female Martian scientist-inventor Dr. Medulla. It was a good idea to add more (and more proactive) female characters to the updated COSMO. The final new addition to the cast is Max Strongjaw, an American astronaut of the near future who is rescued by Cosmo & Co. when his ship has technical difficulties on the first earth-mission to Mars. Max is more or less a parody of the usual square-jawed, typical American space-hero type. Not too bright, and more than a little xenophobic, but with a heart-of-gold, who gradually comes to a grudging friendship/rivalry of sorts with Cosmo and his crew. This was a good cast, and the series as a whole was a valiant attempt to launch a new series which would have been a ACP-owned IP replacement for the loss of the SONIC and MEGA MAN Archie Action imprint titles. At least they were willing to give this a shot, for which I applaud them. Who knows, maybe the graphic novel could be discovered by someone interested in turning the characters into an animated series. Tracy Yardley is a very talented artist, working in a pleasant, attractive modern style that would not be out of place among cartoons aired somewhere like Nickelodeon (or is it just Nick now?) or Cartoon Network (or is it just CN now?). One could but hope. The collection also includes all of the variant covers of the floppy comic from issues #1-5, along with character profile pages offering more background tidbits of information, and some sketch pages showing Yardley's design development for the series. At least you should buy the trade collection, if you didn't give the 5 individual issues of the floppy comic version a try.
« Last post by DeCarlo Rules on October 12, 2018, 12:14:21 am »
DEATH NOTE [All-In-One Edition] TP by Tsugumi Ohba & Takeshi Obata - Chapters 81 to 108+bonus chapter (of 108 + bonus chapter); pages 1763 to 2398 (of 2398). That was ONE long read! ... but interesting all the way through. It ended just how it HAD to end, because we know almost from the beginning of the story how it was going to end -- the shinigami (Japanese death god) Ryuk told Light Yagami (the protagonist-villain of the story) how it would end, and indeed that's exactly how it ends. Hope that's not too big of a spoiler, because it's in there almost from the start. I really enjoyed this.
This was originally published as 12 tankobon (regular-sized paperback books) which would have cost $9.99 per volume SRP, so $119.88 total before any discount. Or I could have purchased a complete boxed set of all 12 original volumes for $114.99 SRP, that included a special 13th volume, "Death Note: How To Read" which contains all of the shinigami rules for humans using the Death Note, plus a character guide and detailed plot summary of the series. It's not strictly needed as part of the main story, but it did originally contain the bonus chapter which was later reprinted in the All-In-One Edition. The All-In-One Edition had a SRP of $39.99, so it was a huge savings over buying each of the individual tankobon volumes separately, or buying the boxed set. The "How To Read" extra Volume 13 is also available separately, and I was interested enough in the series as a whole to order a copy of that (SRP $14.99). So as a result of having 'missed the boat' when the series was first running and kind of a hot item (manga-wise), I wind up paying less than half what it would have cost me otherwise to read the whole series -- and I think it was probably better as a result of my having read it over a very short period of time. This is one time where the old saying "you snooze you lose" proved to be untrue. I guess my next move is to buy (or watch streaming somewhere online) the anime adaptation (not so interested in the live-action films) of Death Note which spun off from the manga.
The downside of saving money in reading the All-In-One Edition of Death Note was that at 2400 (5"x7") pages, the book was over 3 inches thick, and rather heavy (I didn't actually weigh it), and to try to hold it in your hands for any length of time at a comfortable enough distance for optimal viewing was somewhat awkward and tiring. I found myself, on several occasions of prolonged reading sessions, propping the book up on a small empty box on a desk (or on a lap desk) so I wouldn't need to actually hold it up close enough to read the pages for hours on end. The extreme thickness of the book also tends to make it want to close itself unless your thumb is inserted between the pages you're reading or you have some heavier piece of cardboard to lie across the top or bottom of both pages to keep it from closing. I wouldn't want to own another book of this size, I think. It's somewhat of a problem already with the Archie 1000 Page Comics collections, although those are more easily viewable from a somewhat greater distance and are less than half the number of pages -- plus they're much faster to read than 1000 pages of something like Death Note. The Archie Giant Comics collections are actually more of the ideal digest-sized format in terms of thickness and page count, but when you compare them to the 1000-pagers in terms of cost-per-page, nowhere near as good of a bang-for-your-buck bargain... so it's a trade off, sacrificing the ease-of-reading experience for getting more for your dollar. The Giant Comics digest format recently reduced its original page-count without reducing the cover price, while it seems that the 1000 Page Comics are pretty much locked into the page count they have -- they'd have to change the title, which would be too obvious. I suppose they could increase the cover price, but people tend to notice things like that immediately, while page-count is something you wouldn't probably notice before making the decision to purchase.
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