adidas Ultra Boost Clima Solar Yellow is coming next month by blair2019
[Today at 03:18:01 am]
North American comics sales 2011-2016 by Welchhardy
[Today at 02:57:04 am]
Maps of Riverdale? by Welchhardy
[Today at 02:56:51 am]
What have you done today? by Archiecomicxfan215
[August 13, 2018, 08:38:56 pm]
What comics have you been reading? by DeCarlo Rules
[August 13, 2018, 01:10:08 am]
Archie and Me in A Walk a Hallway in Someone Else's Shoes. by PTF
[August 12, 2018, 01:57:58 pm]
Reggie in Let's Play by PTF
[August 12, 2018, 01:35:08 pm]
What are you currently watching? by rusty
[August 12, 2018, 08:48:18 am]
Days we look foward to as Archie Fans. by BettyReggie
[August 10, 2018, 04:14:54 pm]
Riverdale Reviewed by Tuxedo Mark
[August 09, 2018, 09:01:33 pm]
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Messages - DeCarlo Rules
« on: July 28, 2018, 07:28:20 am »
The Diamond Comics Distribution solicitations for the month of October's Archie Comics are out: https://www.previewsworld.com/Catalog?pub=ARCHIE%20COMIC%20PUBLICATIONS
So they managed to sneak in the solicit for ARCHIE #699
ahead of #700, after all. And it's a $1.00 "the story so far" kind of catch-up issue, to try to entice those people who haven't been reading ARCHIE. I assume that that loss-leader cover price can only mean that this is a sort of cut-and-paste reprint comic, composed of various key scenes from pages and panels that previously appeared somewhere before during the run of issues from ARCHIE #1 to 32, with a minimal number of newly-drawn framing panels to stitch all the bits and pieces together. But it does go to prove what I suspected, that the #700 issue won't be another reboot, just a change in creative team and a minor course-correction to steer the title in a direction more similar to that of the TV series Riverdale.
(W) Mark Waid, Ian Flynn (A) Various (CA) Marguerite Sauvage
Follow along as Archie reflects back on the past several years of storylines including: the much-talked about #LipstickIncident, the arrival of the Lodge family, the Riverdale Civil War, the machinations of the Blossom Twins, the near-tragedy of "Over the Edge" and more! This special issue sets the stage for next month's landmark 700th issue of ARCHIE! Based on stories by Mark Waid and Ian Flynn and featuring art by an assortment of ARCHIE talents.
In Shops: Oct 03, 2018
Diamond Code: AUG181571
« on: July 21, 2018, 01:38:05 am »
ARCHIE MEETS BATMAN '66 #1 (of 6)
Debating on whether this is worth a purchase or not.
I LOVED it! (but what else would you expect?) It's worth mentioning that it really should be ARCHIE '66 Meets Batman '66. So when you see Mrs. Lodge (who didn't have a first name in 1966), it's the 1966 version of Mrs. Lodge (i.e. a stout, matronly woman, with a hair bun). Veronica is wearing a minidress with a style similar to what you'd have seen her wearing in a 1966 Archie story. And it's really remarkable how much Mr. Lodge and Alfred (Batman's butler) resemble each other, but then that makes complete sense when you think about the actor that played Alfred on the 1966 Batman television series, and how he would look translated into the traditional Archie style. It's all those little touches of detail that make the story stand out from the POV of a fan of Archie comics. But then I guess it would depend on how you felt about the Batman TV series. At any rate, this is probably the last opportunity to read a long-form Dan Parent Archie story that we'll have for a while.
Since you asked about it before in the Shoutbox, I'll mention ARCHIE AT RIVERDALE HIGH VOL 1
again. Originally, I was going to pass on picking this one up, and after reading it, I have to conclude that my initial gut impressions were correct. I relented in my initial conviction to skip it because I had a moment of doubt where I questioned whether my subjective impressions of that title might have been wrong. First off, this is not, as I might have expected, a complete chronological reprinting of the stories proceeding from ARCHIE AT RIVERDALE HIGH #1. It reprints stories from issue #1 through 33, but at 224 pages, obviously not ALL of the stories from those issues. Most curious of all is the fact that none of the stories reprinted features Chuck Clayton in a starring or co-starring role (in fact, I don't remember him having a significant part in any of the stories reprinted here). That's decidedly odd when you look at those 1970s issues of A@RH, because this title was the place that stories with Chuck most frequently appeared. Perhaps they purposely left those out, because the company's well-meaning attempts to promote racial/ethnic equality at the time might seem patronizing today without any contextual hindsight. The quality of the artwork is certainly on a par with other Archie stories from this same time period (1973-76), but storywise...
All of the stories are little didactic lessons in which Archie sees a problem and solves it. Nearly all the stories downplay or outright ignore the typical Archie situation comedy format. The stories all present Archie as sort of a role model for emulation by the young readers who would have picked up this comic in the early 1970s. It's hard to imagine Archie Comics publishing a title like this in the 1950s or early 1960s, but I chalk it up to the mass exposure Archie and friends were getting at the time in the Filmation animated cartoons on TV. Like the A@RH stories, the television stories ignored the rom-com and slapstick situations that were the main strength of the original comic books. Those stories as well as these are safe, squeaky-clean pro-social message stories like the few plots that television broadcast standards and practices censors of the time could find no fault with, and let pass for Saturday morning kid-vid. That's fine for the less-demanding childrens' audience, but not for adult comic readers looking purely for entertainment value.
The worst sin of these stories is that few if any of them derive the impetus for their plots from the standard character flaws, relationships, or motivations that are the hallmark of the best Archie stories. Jughead does nothing of any importance, nothing remotely Jughead-like, with the exception of lending support to Archie as a best friend, and even that plays into very few of the stories. Betty and Veronica don't display any traits of best-friendship or of competitive rivalry. The plots don't turn on the characters' motivations of jealousy, covetousness, selfishness, or ego competition. Only Reggie is allowed to maintain a small portion of his vanity and jerkiness in a few stories (again, reflecting the situation of the plots of the Filmation TV cartoons).
Taken as merely one of a dozen or so Archie-related titles that ACP published at the time, A@RH can be seen as simply providing some variety to the lineup of titles published by ACP, and having its own distinct flavor so that the stories appearing in each title seemed less totally interchangeable. Spread out as reprints in the digests, these stories merely seem like the raisins in an oatmeal cookie, which is fine -- but reading 224 pages of them at a sitting wears thin awfully fast. There are only a half-dozen or so basic plots in A@RH stories, the rest being merely slight variations or embellishment; Archie motivates the baseball/football/basketball/hockey team to win through teamwork or school spirit, Archie recognizes a problem and helps organize the students to pitch in to help the school or the community, and few basic others. They're a little obvious and repetitive, especially when read one after another in a collection this size. In short, boring
! It's equally true that can also be said of the comedic situations in most Archie stories, but the variations on the same basic tropes seemed more like a challenge to the writers' inventiveness in many of those stories. There are maybe half-a-dozen stories in the whole collection that stick out or are memorable in any way.
« on: July 15, 2018, 06:24:47 am »
No sense getting excited about any of these until they really happen and we can see what they actually are. The so-called newsbyte didn't even provide the most basic of details, like what networks the series are being produced for, or what animation studios are producing the shows. It's all just pie-in-the-sky until grounded with some factual details.
« on: July 12, 2018, 03:10:16 am »
I think I have a good guess about what the thinking was behind ARCHIE #700 and the new direction, leading off with the issue written by Nick Spencer and drawn by Marguerite Sauvage.
They were obviously aware far in advance of the various titles (the original ARCHIE, the Waid/Flynn new ARCHIE, and the ARCHIE 1941 miniseries) whose aggregate numbering would add up to the milestone issue #700.
The insertion of the ARCHIE 1941 miniseries as sort of a buffer between the end of the current-numbered ARCHIE with issue #32 and the return of the legacy numbering with issue #700 indicates to me that they had this new change of direction planned out with lots of production lead time. Nick Spencer may be the writer only on that single issue (#700), or on a single short story arc, as it would appear he had time to complete a small number of scripts for ACP before taking on the full-time writing chores of THE AMAZING SPIDER-MAN #1 (which shipped to comic shops this past Wednesday). Traditionally, THE AMAZING SPIDER-MAN has been Marvel's best-selling title, as years of continuous publication have built up a large loyal fan base for that character, and ASM is the main in-continuity title he's featured in. Only DC's main BATMAN title and Marvel's AVENGERS come close in total sales per issue, on average. That means the writing gig on ASM has to be one of the best-paying in the comics industry, and ACP simply doesn't have the deep pockets to pay those kind of rates to writers on an ongoing series. Nick Spencer isn't going to take on a long-term gig writing scripts for another publisher while he's getting serious money writing for Marvel, but he might easily have knocked out a few scripts for ACP before starting on the ASM run for Marvel. It's true that Mark Waid took on writing assignments for Marvel (an AVENGERS flashback 5-issue miniseries, CHAMPIONS #1-18, and CAPTAIN AMERICA #695-704) at the same time he was being credited for writing ARCHIE, but they weren't Marvel's top-selling titles, with the exception of the 16-part "No Surrender" story arc in AVENGERS #675-690 (which was being co-written by Waid along with two other writers, Al Ewing and Jim Zub), and by the time that last Marvel story was published, Waid was only being credited as co-writer (as of ARCHIE #28) along with Ian Flynn. Waid is also atypically prolific as a scripter. He was being co-credited for writing both THE AVENGERS and ARCHIE, while at the same time turning in full scripts for CHAMPIONS and CAPTAIN AMERICA. We will probably never know the exact breakdown of duties on the shared-credit writing assignments, but I suspect Waid may just have been turning in plot outlines that the other writers then fleshed out into a full script.
Putting the RIVERDALE title on hiatus made sense, because even with the tie-in to the popularity of the TV series, it wasn't selling well. ARCHIE #700 doesn't seem so much like another complete reboot as it is picking up the continuity from ARCHIE #32, and steering the series more in a direction which aligns it with some of the plot threads of the television series. In effect, they're attempting to hybridize the former New Riverdale ARCHIE title (which was the better-selling of the two ongoing titles) with the direct adaptation RIVERDALE, and cancelling the latter entirely. That's just based on the circumstances of existing sales and my reading between the lines of Nick Spencer's brief statement that "I don’t want to blow things up or do anything that would upset the long-term audience. It’s more like finding some conflicts that have some stakes, upping the drama level a little bit." He added that he would play into the soap opera aspect of the characters and "depict that in a way that the ‘Riverdale’ audience can appreciate and enjoy."
My guess would be that after either #700 (or the short story arc of 3 or 4 issues beginning in that issue), Ian Flynn would return as the regular scripter, continuing to follow the new 'more like Riverdale' direction set up by Spencer.
« on: July 11, 2018, 12:12:52 pm »
Doesn't change anything for me. I wasn't reading ARCHIE before (although I did read #32, just to check out Audrey Mok's artwork more than anything else), so I don't expect I'll be reading it after #700, but I may read that one issue just to see what all the hubbub is about.
The whole point of Archie in the first place (according to John Goldwater) was in reaction to the superheroes who dominated comic books in the early 1940s -- humorous stories about mundane people, as opposed to exaggerated action/adventure tales featuring larger-than-life heroes & villains. COUNTERprogramming to the mainstream. Without that central attitude orientation, there's absolutely no point in reading 'serious' Archie stories. LIFE WITH ARCHIE was only interesting in so far as it was contrasting and playing with characters, relationships and ideas which had been established in the earlier funny stories, and projecting those into the future. Without that, just taken on its own, the rebooted ARCHIE really offers nothing unique.
« on: July 11, 2018, 10:20:01 am »
I don't know if 'cancel' is really the right word here. As I understood it, ARCHIE 1941 is sort of a miniseries replacing ARCHIE after #32, and when that concludes they will revert back to the old numbering sequence with #700. I understand that the numbers didn't quite add up, so there will be a later-released #699 published retroactively.
I honestly can't see a huge difference between the Mark Waid & Audrey Mok ARCHIE and the one-shot issue 700 by Nick Spencer & Marguerite Sauvage.
I mean, stylistically at least, I don't see any huge difference, nor do a see much of a difference (apart from the time period setting) between those and ARCHIE 1941. What comes after those, they still aren't saying.
I don't see anything having essentially changed about the company's situation since the failures of the rebooted Jughead and Josie titles, which meant that their originally hoped-for plan of building an entire new line of Archie comics wasn't going to fly.
« on: July 11, 2018, 09:27:29 am »
I've also been reading a few manga:One Punch Man is a series that I've heard mentioned a lot and will probably try out eventually. What do you think of it?
ONE-PUNCH MAN VOL 14: THE DEPTHS OF DESPAIR (tankobon) by ONE & Yusuke Murata
BATTLE ANGEL ALITA: DELUXE EDITION HC VOL 04 (of 5) by Yukito Kishiro
I love Battle Angel Alita. I first collected it in regular comics and continued as they switched to the volume format. I wasn't going to get the deluxe editions, but when I saw how nice they were, I went ahead and bought them even though I have the earlier editions. I'm behind on reading Mars Chronicle, but will get to those eventually.
I somehow completely missed out on Battle Angel Alita
the first time around. I mean, I was aware that it existed, because I'd seen it around here and there, but for whatever reason, I'd just never picked it up and given it a try. Now after I'd read the first couple of hardcover volumes, I liked it so much that I went and ordered all five omnibus editions of Battle Angel Alita: The Last Order
, and have been getting the Mars Chronicle tankobon volumes as they've come out. I've held off on reading the latter two series for reasons of not wanting any spoilers revealed until I've read the last volume of the hardcover collection of the original series. Kodansha will also be releasing a standalone Battle Angel Alita: Homecoming
volume in hardcover that collects some shorter, self-contained stories set during the same time frame as the original series (there's a Halloween Comic Fest giveaway comic scheduled to preview that).
The spoiler thing kind of bugs me, because Seven Seas Entertainment completely spoiled the original Devilman for me by releasing two later series in translation earlier, Devilman G
(which is a modern retelling with some differences) and Devilman vs Hades
(a fairly recent sequel to the original Devilman which also crosses over with characters from Mazinger Z). Since I'd just been reading those as they came out in overlapped releases, the first volume of Devilman vs Hades completely ruins a couple of major plot reveals from the ending of Devilman: The Classic Collection
(the second volume of which hasn't come out yet in translation from Seven Seas).
ONE-PUNCH MAN is just amazing! I mean, on the surface it just seems like a bunch of fights and hyperviolence, but it's got humor and even some deeper commentary on what it means to be a hero. Saitama is the one-punch man of the title. He's a short, bald-headed guy whose slightly-built physique and blank expression leads everyone to overlook him and underestimate him, but somehow Saitama possesses the power to defeat any opponent with a single punch. It's mostly over so quickly that any witnesses don't even realize what happened or how. So what Saitama really wants to do is be a hero for fun, helping people while he seeks an adversary that can give him a challenge and won't be defeated so easily. To do this, he joins up with the Heroes Association, a kind of national infrastructure for superheroes, to facilitate dispatching heroes to the scene of emergencies. Since his power isn't really measured easily, and is over with in the time it takes for him to deliver a single punch, people tend not to believe what they've seen (or are distracted by something else, not realizing what exactly happened); Saitama starts out as a lowly-rated Class C hero. Genos, a teenage cyborg hero who is rated as Class S (that's above Class A, by the way) is one of the few that sees Saitama in action and believes. Since Genos is an earnest young hero he immediately begs Saitama to become his sensei and train him. We are also introduced to many other heroes in the ranks of the Heroes Association. Some are not really heroes at all, but are out for their own personal celebrity or glory, or are just feeding their own inflated egos every time they defeat an opponent in combat. Monsters are also rated by their threat levels - Threat Level Dragon is more dangerous than Threat Level Tiger. It later turns out that there is also a Monsters Association to support the monsters, and things really get interesting.
« on: June 30, 2018, 06:01:17 am »
KILL OR BE KILLED #20 (of 20) - An unfortunately unsatisfying conclusion to this otherwise excellently-written series.
THE SENTRY #1 (of 5) - I may read a couple more issues, but I found it slightly disappointing.
MULTIPLE MAN #1 (of 5) - One issue was enough. Not for me.
MARVEL TWO-IN-ONE #7 - Doesn't seem to be really going anywhere, just spinning those wheels while awaiting the return of the Fantastic Four. This issue might be my last.
RICK & MORTY #39 - Always a fun read.
WONDER WOMAN #49 ("The Dark Gods" Part 4 of 5) - Not a bad story, but I'll be dropping this book when the creative team changes after issue 50.
THE FLASH #49 ("Flash War" Part 3 of 4) - Not too impressed with the story (it's just average), but I guess I'll finish reading it with #50.
THE TERRIFICS #5 - This might be the best DC Universe title right now.
SCOOBY-DOO TEAM-UP [with The Justice Society of America] #39 - Still my absolute favorite DC read every month, and I especially liked seeing the classic JSA in a story again.
ASTRO CITY #52
« on: June 27, 2018, 11:14:50 am »
BETTY AND VERONICA JUMBO COMICS DIGEST #264
WONDER WOMAN: EARTH ONE OGN HC
ROM & THE MICRONAUTS #1-5 (of 5)
Marvel Masterworks: ANT-MAN/GIANT-MAN HC VOL 1-3 (of 3)
AVENGERS: THE MANY FACES OF HENRY PYM TP
Marvel Universe ANT-MAN DIGEST TP
ANT-MAN & THE WASP ADVENTURES DIGEST TP
MARVEL COMICS DIGEST #7 - ANT-MAN
ANT-MAN: SEASON ONE HC
Marvel's ANT-MAN PRELUDE TP
Marvel's ANT-MAN & THE WASP PRELUDE TP
ANT-MAN & WASP: SMALL WORLD TP
ANT-MAN: SCOTT LANG TP
AVENGERS: THE TRIAL OF YELLOWJACKET TP
Archie's Girls BETTY AND VERONICA #315
« on: June 21, 2018, 01:14:33 am »
Archie's Girls BETTY AND VERONICA #305, 310, 345
BETTY AND VERONICA (1987) #47, 56, 59, 61, 63, 72, 80, 104
CHERRY'S JUBILEE #1, 3, & 4 (of 4)
CHERRY DELUXE #1 (one-shot)
JUGHEAD #119 (Aug 1999)
FUTURE QUEST PRESENTS: THE HERCULOIDS #11 (of 12)
BATMAN: SINS OF THE FATHER #5 (of 6)
ANT-MAN AND THE WASP #2 (of 5)
CAPTAIN AMERICA #704
TONY STARK IRON MAN #1
AMAZING SPIDER-MAN #801
THE BEEF #5 (of 5)
MOONSHINE #11 (of 12)
KAIJUMAX SEASON 4 #1 (of 6)
TANK GIRL ALL-STARS #1 (of 4)
RICK & MORTY PRESENTS: KROMBOPULOUS MICHAEL #1 (one-shot)
GIDEON FALLS #4
EVIL, INC. AFTER DARK VOL 1: LIVE FAST, THWART HARD TP
THE RED HOOK VOL 01: NEW BROOKLYN TP by Dean Haspiel
DISNEY MASTERS VOL 02: DONALD DUCK & UNCLE SCROOGE'S MONEY ROCKET HC
« on: June 10, 2018, 06:30:30 am »
Bumping this thread because I updated the original post with comic shop release dates (scroll back to top of page).
« on: June 09, 2018, 12:41:03 pm »
I just pre-ordered all those "Archie Comics Presents..." TPs (well, up through LIFE WITH ARCHIE, which is as far ahead as Diamond Comics solicitations go so far) and Vol 4 of ARCHIE'S BIG BOOK. But that's the direct market comic shop ordering system. Meanwhile, the book trade obviously gets solicitations (which for typical trade collections is 3 to 4 months in advance of shipping dates in the direct market) far in advance of comic shops, so they are dangling products before our eyes that won't actually appear until January or February of 2019, seven or eight months from now. Presuming all human life on this planet isn't extinguished by a large asteroid collision in the the intervening time.
« on: June 05, 2018, 01:49:54 pm »
EDITED 06-10-18 to update release dates. Bookstore market release dates in BLUE, comic shop release dates in RED.
Items with no dates in red have not been solicited (as of 06-10) by Diamond Comics for the comic shop marketplace.
Archie Comics Presents... series:
THE COMPLETE COSMO THE MERRY MARTIAN TP | 224 Pages | 5-1/4 x 8 | $10.99 | Jul 03, 2018 | Jun 13, 2018
ARCHIE AT RIVERDALE HIGH VOL. 1 TP | 224 Pages | 5-1/4 x 8 | $10.99 | Jul 10, 2018 | Jun 20, 2018
BETTY AND VERONICA SPECTACULAR VOL. 1 TP | 224 Pages | 5-1/4 x 8 | $10.99 | Aug 21, 2018 | Aug 1, 2018
LIFE WITH ARCHIE VOL. 1 TP | 224 Pages | 5-1/4 x 8 | $10.99 | Sep 18, 2018 | Aug 29, 2018
ARCHIE AND ME VOL. 1 TP | 224 Pages | 5-1/4 x 8 | $10.99 | Nov 13, 2018
EVERYTHING'S ARCHIE VOL. 1 TP | 224 Pages | 5-1/4 x 8 | $10.99 | Dec 11, 2018
BETTY AND ME VOL. 1 TP | 224 Pages | 5-1/4 x 8 | $10.99 | Jan 22, 2019
REGGIE AND ME VOL. 1 TP | 224 Pages | 5-1/4 x 8 | $10.99 | Feb 19, 2019
Archie's Big Book series:
ARCHIE'S BIG BOOK VOL. 4: FAIRY TALES TP | 304 Pages | 6-5/8 x 10 | $19.99 | Aug 14, 2018 | Jul 25, 2018
ARCHIE'S BIG BOOK VOL. 5: ACTION ADVENTURE TP | 304 Pages | 6-5/8 x 10 | $19.99 | Jan 08, 2019
Best of Archie Comics series:
THE BEST OF ARCHIE AMERICANA VOL. 3: BRONZE AGE 1980s-1990s TP | 416 Pages | 5-1/4 x 7-1/2 | $9.99 | Sep 04, 2018 | Aug 15, 2018
THE BEST OF ARCHIE COMICS DELUXE EDITION BOOK THREE HC | 416 Pages | 6-5/8 x 10-3/16 | Oct 23, 2018
Archie Giant Comics Digest series:
ARCHIE GIANT COMICS BASH TP | 416 Pages | 4-7/8 x 6-9/16 | $9.99 | Nov 27, 2018 *(NOTE - Page count reduced by 64; cover price increased by $2)
Archie 1000 Page Comics Digest series:
ARCHIE 1000 PAGE COMICS ROMP TP | 1000 Pages | 4-7/8 x 6-9/16 | $14.99 | Oct 09, 2018
ARCHIE'S HOLIDAY COLORING BOOK TP | 128 Pages | 7-1/4 x 10-7/8 | $9.99 | Nov 06, 2018
ARCHIE MODERN CLASSICS VOL. 1: BEST OF 2018 TP | 256 Pages | 5-1/4 x 7-1/2 | $9.99 | Feb 05, 2019
(The description in the solicition for this one is vague. Could be reprints of the new lead stories from 2018 digests, or something else altogether.)
ARCHIE: A CELEBRATION OF AMERICA'S FAVORITE TEENAGERS TP edited by Craig Yoe | 220 Pages | 8-1/2 x 11 | $29.99 | Oct 09, 2018 | Jul 25, 2018
-- A softcover reprint (with new cover) of the sold-out hardcover edition from 2011.
THE ARCHIES VOL 1 TP | 144 Pages | 6-5/8 x 10-3/16 | $17.99 | Jun 19, 2018 | Available now (comic shops)
BETTY & VERONICA: VIXENS VOL. 1 TP | 136 Pages | 6-5/8 x 10-3/16 | $14.99 | Jul 24, 2018 | Jul 04, 2018
JUGHEAD THE HUNGER VOL. 1 TP | 144 Pages | 6-5/8 x 10-3/16 | $17.99 | Aug 07, 2018 | Jun 18, 2018
THE FOX VOL. 2: FOX HUNT TP | 136 Pages | 6-5/8 x 10-3/16 | $14.99 | Sep 11, 2018 | Aug 22, 2018
COSMO VOL. 1: SPACE ACES TP | 128 Pages | 6 x 9 | $12.99 | Oct 16, 2018 (Collects Cosmo #1-5 by Ian Flynn & Tracy Yardley)
ARCHIE VOL. 6 TP | 144 Pages | 6-5/8 x 10-3/16 | $17.99 | Oct 30, 2018
THE ARCHIES VOL 2 TP | 104 Pages | 6-5/8 x 10-3/16 | $17.99 | Nov 20, 2018
BETTY & VERONICA: VIXENS VOL. 2 TP | 136 Pages | 6-5/8 x 10-3/16 | $14.99 | Dec 04, 2018
CHILLING ADVENTURES OF SABRINA VOL. 2 TP | 176 Pages | 6-5/8 x 10-3/16 | $19.99 | Dec 18, 2018
THE MIGHTY CRUSADERS VOL. 1 TP | 120 Pages | 6-5/8 x 10-3/16 | $12.99 | Jan 15, 2019 (Collects Mighty Crusaders 2017 #1-4 & Superteens vs. Crusaders #1-2)
« on: June 03, 2018, 04:57:40 am »
I see you have a number of the Bantam mass-market paperbacks from the 1970s, and the Mike Pellowski RIVERDALE HIGH novels from the 1990s. Here's a list of some other ones you should be on the lookout for if you don't already have them:
Price Stern Sloan BETTY & VERONICA Mad Libs by Roger Price and Leonard Stern Sep-05
Price Stern Sloan ARCHIE loves BETTY & VERONICA Mad Libs by Roger Price and Leonard Stern Dec-14
Hyperion/Miramax Books Are You A BETTY or VERONICA? - A Quiz Book Apr-05
Hyperion/Miramax Books BETTY & VERONICA's Guide to Life by Jasmine Jones Apr-05
Hyperion/Miramax Books BETTY & VERONICA: Best Friends Forever by Jasmine Jones Jun-05
Hyperion/Miramax Books The Ultimate BETTY & VERONICA Quiz Book #2 Sep-05
Hyperion/Miramax Books BETTY & VERONICA Stories: What A Catch! by Jasmine Jones Oct-05
Hyperion/Miramax Books BETTY & VERONICA's Guide to Crushes by Emma Harrison Dec-05
Hyperion/Miramax Books BETTY & VERONICA Stories: She's Got The Look by Jasmine Jones Apr-06 [ unpublished? ]
Cider Mill Press Books BETTY AND VERONICA: A Girl's Guide to the 'Comic' World of Dating by Amy Helmes Dec-06
Grossett & Dunlap xoxo, BETTY & VERONICA: Living the Dream by Christa Roberts May-11
Grossett & Dunlap xoxo, BETTY & VERONICA: We're With The Band by Adrianne Ambrose May-11
Grossett & Dunlap xoxo, BETTY & VERONICA: In Each Other's Shoes by Adrianne Ambrose Sep-11
A key vintage Archie collectible to find if you can would be the Post cereal boxes from the late 1960s that had The Archies singles printed right on the back of the boxes, and the later Kellogg's cereals Josie & the Pussycats singles. While they may seem quaint in this age of downloadable MP3 songs, it's important to remember that at the time they first appeared, the idea of giving away song recordings as a cereal prize represented a then-revolutionary new cutting-edge technology. Only recently had print technology reached the point where an extremely thin clear plastic sheet could be imprinted with sound recording grooves and adhered over a colorful cardboard box, that could then be cut out using scissors by kids and played just like a normal 45 RPM vinyl single.
The rarest, most pristine condition would be to find an unopened cereal box, completely intact and carefully preserved, but it's doubtful there are actually any extant examples of that case. Next in desirability would be just the box with the top flaps unsealed and the inner bag of cereal removed, but otherwise just as originally sold. Completely acceptable to most collectors though, would be the complete cereal box where both top and bottom flaps had been unsealed and the box carefully flattened. Much more commonly found would be examples where the free prize cardboard single had been cut from the box, played a few times, and then saved (but beware of surface scratches that might render the song unplayable). Still, the graphics are nice, and since the songs themselves are commonly available recordings, you won't really be playing the record. Where the value fluctuates a lot is in how carefully the detached record was cut from the box using scissors (some kids were extremely careful and neat... others, not so much), and the hole for the record player spindle needed to be punched in the exact center of the cardboard (or pretty close) for the record to play correctly. Also beware of misprints -- some of the songs don't match what the label on the disc says, because they were doing several different premiums on different cereal boxes and there exist examples where the factory got the wrong vinyl overlay stuck on the wrong cardboard backing. Even if you manage to find just a sloppily cut-out cardboard single where the surface of the vinyl is scratched and unplayable, as long as the graphics on the backing cardboard are intact, it's worth something.
« on: June 03, 2018, 12:26:50 am »
Speaking of crossovers....I'd love to see CW's Supernatural crossover with Archie's Weird Mysteries, similar to their Scoobynatural episode earlier this year. I loved watching Archie's Weird Mysteries in the early 2000s.
I still say they need to do a crossover with the actual Scooby-Doo. I don't know if it would be a callback to Archie's Weird Mysteries
(which did its own Scooby parody in one issue) because that was 18 years ago, and the TV series wasn't big enough to be that well-remembered by the wider public (as opposed to dyed-in-the-wool Archie fans), but that would be one of the most natural team-ups of all time.
The evolution of Scooby-Doo
(the original Hanna-Barbera series) owes a lot to the success of Filmation's The Archie Show
, with the basic H-B concept being that of a band (like the Archies) that would solve mysteries (like the Hardy Boys and Nancy Drew), and the addition of a dog to the cast was almost an accidental afterthought. Except that Mystery Incorporated wound up not being a band after all, just background music during the chase scenes. Then when H-B finally wound up licensing the rights to actual Archie Comics characters, they decided to turn Josie
and her friends (or at least Melody) into a mystery-solving band -- but the people at H-B apparently didn't like Pepper and Albert, so they replaced them with Valerie and Alan M. (note the suspicious similarity between Alan and Scooby
's Fred Jones). I think the thought behind featuring Hot Dog and Scooby in those shows at that time (1968-69) was that animation studios still weren't confident in relying on animated humans for comedy in a show, and with cartoon pets, they felt more comfortable and could skew them more towards the more traditional anthropomorphic animal antics -- thus, Scooby could talk and we could hear what Hot Dog was thinking, like any traditional cartoon animal character.
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